After it was announced in 2015 that Kengo Kuma’s plan for the new National Stadium for the Tokyo 2020 Olympics would replace Zaha Hadid’s controversial design, the architect’s scaled-down and less flamboyant vision did, admittedly, receive its own fair share of criticism. For the most part, though, Kuma’s use of wood and local craftsmanship was largely applauded as being appropriate to represent Japan.
Prior to the decision, Kuma’s was already a well-respected brand, particularly in the international architecture scene. The high-profile news simply gave him an extra boost, making him a household name.
Unable to view this article?
This could be due to a conflict with your ad-blocking or security software.
Please add japantimes.co.jp and piano.io to your list of allowed sites.
If this does not resolve the issue or you are unable to add the domains to your allowlist, please see out this support page.
We humbly apologize for the inconvenience.