Stage

Playwright J.T. Rogers' drama about the clandestine negotiations that led to the historic agreements reveals what went on behind the scenes.

The international performing arts festival has three new program directors and a renewed focus on experimentation.

In his 1964 anthem, “The Times They Are A-Changin’,” Bob Dylan sings: “As the present now / Will later be past / The order is rapidly fadin’...” At the time, he may have had social turmoil in mind when he wrote those lyrics, but the ...

“A Dream of Armageddon” is based on H.G. Wells' prescient short story about weapons of mass destruction and totalitarianism.

Choreographer Shuji Onodera was given total artistic freedom to create his adaption of Guy de Maupassant’s “Boule de Suif” with a multicultural cast.

Festival/Tokyo, known for its focus on young artists and edgy productions, has shifted the annual festival's emphasis from live performances to online ones.

Director Silviu Purcarete reveals the murky and bizarre aspects of humanity in a modern adaptation of Shakespeare’s comedy about love and magic.

Shuttered venues and a lack of subsidies have added to dwindling audience numbers to create worry for performers.

Kanjuro Kiritake says the pandemic has left him worrying for the future of his art form.

Director Lindsay Posner hopes his staging of “Twelve Angry Men” in Tokyo will make audiences assess how their attitudes affect their perceptions.

Dramatist Oriza Hirata’s dream of holding Japan’s version of the Avignon Festival is becoming a reality with a two-week arts fete starting on Sept. 9.