It’s fitting that I should be meeting Terre Thaemlitz on May 1, International Workers’ Day — she wryly refers to herself as a “feminist Marxist” before we begin our interview in proper.

Thaemlitz, who produces music under her real name, the moniker DJ Sprinkles and several other aliases, has been active for the better part of two decades, cultivating a reputation for making challenging electronic music: both in the way it addresses complex issues, often regarding gender and sexuality (Thaemlitz identifies as pansexual and transgender), as well as the way it pushes the boundaries of musical formats — 2012’s “Soulnessless,” released on a 16GB microSDHD memory card and labeled “the world’s first full-length mp3 album” featured a piano solo more than 29 hours long as its centerpiece, as well as video files and a 150-page booklet of text in 10 languages.

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