Giovanni Fazio - The Japan Times

November 04, 2025

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Giovanni Fazio

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Giovanni Fazio

Giovanni Fazio has been The Japan Times' resident film crank since 1993. When not at the movies, he is busy recording and playing live with his band Makyo and running the independent electronica label Dakini Records.

Japan Times

CULTURE / Film

May 25, 2007

There must be a way to make people laugh without resorting to scatology, homophobia, racial stereotypes or onanism — but Mars may well be colonized before Hollywood works it out.

Japan Times

CULTURE / Film

May 18, 2007

There's a scene in "Fur" where photographer Diane Arbus, played by Nicole Kidman, is having sex with her husband, Alan (Ty Burrell), during a turbulent period in their marriage. His frustrations come to the fore, and he slams her head into the sofa, forcefully pinning her as he takes her from behind....

Japan Times

CULTURE / Film

May 17, 2007

Wong's mood a delicious match for Jones' melancholy

You can be sure organizers of the Cannes Film Festival had knotted stomachs ahead of Wednesday night's scheduled screening of Wong Kar-wai's "My Blueberry Nights." WKW films are always born in chaos, and he's delivered a few wet prints to Cannes in the past: "In The Mood For Love," which won two prizes...

Japan Times

CULTURE / Film

May 11, 2007

'Just for Kicks'

It's funny how sometimes a film will think it's one thing when actually it's something else entirely. Take, for example, "Just For Kicks." This MTV-affiliated documentary directed by Thibaut de Longeville is under the impression that it's about sneakers, sneaker mania and hip-hop. But anyone who watches...

Japan Times

CULTURE / Film

May 4, 2007

A while back in these pages, I was dumping on a movie ("The Last King Of Scotland") for giving us the same-old white man's view of Africa. What we really needed, I wrote, was an African view of Africa, something like an African "City of God," which gave an insider's look at life and crime in Rio's favelas....

Japan Times

CULTURE / Film

Apr 20, 2007

A moment of stillness -- that's what "2:37" chooses for its opening shot, the camera pointed skyward, a canopy of green leaves framed against the gray sky beyond. It doesn't last long. Soon the camera moves earthward, and we enter an Australian high school where the calm is soon shattered when a student...

Japan Times

CULTURE / Film

Apr 20, 2007

From near-death to a dream

It's enough of an achievement for a director to win an award at Cannes for his debut film, but to do so at age 19, that is truly remarkable. Yet that is exactly what Australian director Murali K. Thalluri did with "2:37," which picked up the Un Certain Regard award at last year's Cannes.

Japan Times

CULTURE / Film

Apr 13, 2007

"The Queen" is, in one sense, a film like so many others these days, trading in the currency of celebrity, using the hook of quality actors doing fine impersonations of famous people to show its pedigree. This is a successful and award-winning proposition for films -- see "Ray," "Capote," et al. -- but...

Japan Times

CULTURE / Film

Apr 6, 2007

'Everyone Stares/The Police Inside Out'

It's been more than 20 years since Stewart Copeland ended his tenure as drummer for The Police after a string of platinum albums and era-defining singles. The band members went their separate ways: Sting, to a solo career and mainstream celebrity; guitarist Andy Summers, to the relative obscurity of...

Japan Times

CULTURE / Film

Apr 6, 2007

'All the King's Men'

Producing a serious political thriller is a rare enough achievement these days, so one is tempted to excuse the flaws in Steven Zaillian's "All the King's Men," a film loosely based on the rise and fall of Louisiana's populist governor Huey P. Long. Nevertheless, the film feels like it lost several crucial...

Japan Times

CULTURE / Film

Mar 30, 2007

When reviewing a movie, critics tend to trawl through the elements that made it work, things like clever plotting, intense performances, lavish set design and the like. But we often seem to overlook one of the most essential elements of cinema: sex appeal.

Japan Times

CULTURE / Film

Mar 23, 2007

When Stephen Spielberg resurrected the World War II war movie back in 1998 with "Saving Private Ryan," he did so by upping the level of battlefield intensity and perceived realism. One thing he didn't lose though, was the moral certainty that has long been a staple of the genre -- it's hard not feel...

Japan Times

CULTURE / Film

Mar 23, 2007

Home sweet Hollandafter Hollywood hell

Director Paul Verhoeven is living, breathing proof of that old Hollywood adage, "You're only as good as your last film."

Japan Times

CULTURE / Film

Mar 16, 2007

"Perfume" is a film that comes to us with impeccable art-house credentials: It's a story about aestheticism, the appreciation of smells, and thus bathed in sensuality. Its director, Tom Tykwer, is responsible for the art-house hit "Run Lola Run," as well as an ethereal adaptation of a Krzystof Kieslowski...

Japan Times

CULTURE / Film

Mar 15, 2007

'Crossing the Bridge'

Amusic "scene" tends to arise out of a number of like-minded musicians operating from the same cultural starting point. Think San Francisco psychedelia, Detroit techno, London punk or Kingston's reggae and dub -- all scenes full of musicians sharing the same cultural ferment and arriving at similar sounds....

Japan Times

CULTURE / Music

Mar 15, 2007

Baba Zula: from the belly of the beats

Underground music maniacs, the real hardcore otaku (obsessed fans), have long raved about the Turkish psychedelic music of the 1960s and '70s -- crazy reverb-drenched, twangy-guitar tracks that sounded like The Ventures if they'd been a belly-dancer backing band with a taste for hashish and quarter-tone...

Japan Times

CULTURE / Film

Mar 9, 2007

Just last week I was complaining about how rare it is to see a film on Africa that has an African, not Western, perspective. You could say the same thing about the Middle East, where even a well-intentioned film like "Syriana" views the region mostly through the avatars of George Clooney and Matt Damon....

CULTURE / Film

Mar 9, 2007

From Nazareth to Amsterdam

Director Hany Abu-Assad grew up in Nazareth before moving to Amsterdam to study at college with the goal of becoming an engineer. His route to filmmaking began as a boast. Trying to impress a girl he liked, he told her he was a director. He wasn't, but the seed was planted. With "Paradise Now" he received...

Japan Times

CULTURE / Film

Mar 2, 2007

'The Last King of Scotland'

If you're thinking that "The Last King Of Scotland" is some kind of fantasy-sequel to "Braveheart," well, guess again. The "king" of the film's title is 1970s Ugandan dictator Idi Amin Dada, who was a former barracks boy with the King's Highlanders, and liked to boast that his defiance of Uganda's British...

Japan Times

CULTURE / Film

Feb 23, 2007

'A Prairie Home Companion'/'Bobby'

Director Robert Altman checked out of this world last November at age 81, and he was working right up till the end. His last film, "A Prairie Home Companion," is a cinematic spinoff of the popular show on American public radio, and while it's not up there with Altman's best -- "Short Cuts" or "Nashville"...

One of the many entrances to the Kabukicho neighborhood in Tokyo’s Shinjuku Ward.

Kabukicho: Tokyo’s ‘stadium of desire’

Once smoky, male-dominated spaces, today's net cafes, like Kaikatsu Club, are working to make their operations more attractive to women customers.

The second life of Japan's net cafes

By Alex K.T. Martin

SUSTAINABLE JAPAN

Foreign wrestlers have a long history in sumo

Foreign wrestlers have a long history in sumo

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