The British are mad, aren't they? That Kate Bush with her crazy gyrating around a cello in the video for "Babushka," that daft loon Robbie Williams with his funky skeleton costume, those kerrr-azy Tellytubbies with their wacky dance routines — what is it about the British that makes them so totally off-the-wall bonkers?
Not the kind of report you see very often, and one that would probably seem a bit lazy, under-researched and perhaps just a touch racist, but replace the word "British" with "Japanese" and replace Kate, Robbie, Tinky Winky, Dipsy, Lala and Po with the likes of Kyary Pamyu Pamyu and current BuzzFeed favorites Babymetal, and . . . well, you know, the Japanese are mad, aren't they: What more is there to say?
When something seems mad, it may very well be the result of a unique and oddball talent like Bush, but when it seems to be happening institutionally and across the board, it's more often a rational response to irrational circumstances. To a large degree that's what's happening in the idol scene in Japan's dysfunctional pop industry.