Tag - masatoshi-nagase

 
 

MASATOSHI NAGASE

Japan Times
CULTURE / Film
Feb 24, 2022
Hiroshi Okuhara's ‘Hotel Iris’ is a house of mirrors
The director's film adaptation of Yoko Ogawa's novel, in which Masatoshi Nagase plays a dangerously seductive translator, blurs the line between fantasy and reality.
Japan Times
CULTURE / Film
Dec 9, 2020
‘Bolt’: A noirish depiction of the dark days after 3/11
Director Kaizo Hayashi's three-part film based on the meltdown disaster of 2011 at the Fukushima No. 1 nuclear power plant is a mishmash of noir, sci-fi and fantasy.
Japan Times
CULTURE / Film
Nov 11, 2020
‘Sakura’: A family held together by dogged devotion
Hitoshi Yazaki turns Kana Nishino's novel about a family overcoming tragedy with the help of their dog into an amiable but wildly uneven drama.
Japan Times
CULTURE / Film
Jul 16, 2020
‘Just the Two of Us’: It’s two against the world in this downbeat drama
In “Just the Two of Us,” Shiori Doi holds her own as a sympathetic blind caretaker for Masatoshi Nagase's bitter and injured painter.
Japan Times
CULTURE / Film
May 31, 2017
Love comes as a light in the dark in 'Radiance'
'Radiance,' winner of the Ecumenical Prize at Cannes, is being promoted as a love story, but director-scriptwriter Naomi Kawase has more on her mind than getting her age-inappropriate pair into a clinch.
Japan Times
CULTURE / Film
Aug 24, 2016
'Black Widow Business': Never too old for the marriage con
"There's no fool like an old fool." Yasuo Tsuruhashi's comedy "Black Widow Business" is a feature-length illustration of this venerable saying, though it also reflects present-day trends in an aging Japan.
Japan Times
CULTURE / Film
May 4, 2016
'Six Four': Japan held hostage by the Showa Era
'Don't you understand what is to have a child taken from you? How could you be a policeman and not understand that?"
Japan Times
CULTURE / Film
Jun 3, 2015
Director Kawase disregards criticism of her sentimental leprosy drama 'An'
When I first interviewed Naomi Kawase in 1998, after she won the Cannes Film Festival's Camera d'Or award for her first feature, "Moe no Suzaku" ("Suzaku"), I remarked on her "quietly stubborn determination" to persist in the face of various detractors. If anything, criticism has increased in the intervening years. Feminists have attacked her for making apolitical personal documentaries, and her fiction films are favorite pinatas of critics voting in the annual edition of Eiga Geijutsu magazine's "Worst Ten" poll. At the same time she has garnered many awards and honors here and abroad, including seven invitations to the Cannes festival — the most of any living Japanese director.
Japan Times
CULTURE / Film
Jun 3, 2015
Director Naomi Kawase has finally made a 'real Japanese film'
Sooner or later, many Japanese directors — be they internationally acclaimed auteurs or industry outsiders — end up making what Sion Sono (a noted auteur/outsider himself) once described to me as "a real Japanese film." To put it simply, this sort of film is aimed squarely at the domestic audience, especially folks looking for a good cry.

Longform

Later this month, author Shogo Imamura will open Honmaru, a bookstore that allows other businesses to rent its shelves. It's part of a wave of ideas Japanese booksellers are trying to compete with online spaces.
The story isn't over for Japan's bookstores