Whether it’s regular theater that gets you going these days — or you’re skipping along more to musicals — as 2019’s curtains rise, variety will be the spice of live stages this coming year.
In the realm of musicals, American composer Dave Malloy’s 2012 “electropop opera,” “Natasha, Pierre & The Great Comet of 1812,” is running through Jan. 27 at the Tokyo Metropolitan Theatre (TMET) in Ikebukuro.
Unable to view this article?
This could be due to a conflict with your ad-blocking or security software.
Please add japantimes.co.jp and piano.io to your list of allowed sites.
If this does not resolve the issue or you are unable to add the domains to your allowlist, please see out this support page.
We humbly apologize for the inconvenience.