When is a remake not a remake? Arguably, Takashi Shimizu’s “Majo no Takkyubin (Kiki’s Delivery Service)” is less a reworking of the Hayao Miyazaki animation classic (which this reviewer praised on this page in 1989) than his own interpretation of the 1985 Eiko Kadono fantasy novel on which the Miyazaki film is also based. (Encouraged by the novel’s success, Kadono later wrote five more in a series.)

Best known for his horror films, including the seminal 2002 J-Horror shocker “Juon (Ju-on: The Grudge)” and its hit 2004 Hollywood remake, Shimizu was hardly the most obvious choice to direct a film aimed mainly at children about a young witch’s yearlong “apprenticeship” in a strange town. In an interview with The Japan Times at the Hilton Tokyo Hotel, Shimizu admits that he was “a little surprised” at the offer. “At first I wondered why they came to me,” he adds with a bemused smile.

Unable to view this article?

This could be due to a conflict with your ad-blocking or security software.

Please add japantimes.co.jp and piano.io to your list of allowed sites.

If this does not resolve the issue or you are unable to add the domains to your allowlist, please see out this support page.

We humbly apologize for the inconvenience.

In a time of both misinformation and too much information, quality journalism is more crucial than ever.
By subscribing, you can help us get the story right.