Andrew Eglinton, a theater writer and researcher, contributes regularly to The Japan Times. He is a lecturer in performance studies at Konan Women's University.
For Andrew Eglinton's latest contributions to The Japan Times, see below:
Since the late 1970s, people from all over the world have traveled to the village of Toga in rural Toyama Prefecture to attend Tadashi Suzuki's renowned acting classes or to see the Suzuki Company of Toga (SCOT) and other invited artists perform at the ...
The political function of art is a perennial question in the field of aesthetics. In classical Athens, Plato argued that art as a form of imitation was limited in its ability to communicate knowledge about political life. In contrast, Aristotle saw this mimetic gap ...
The #MeToo movement has been gaining momentum in Japan over the past year, though its impact on public life hasn't been anywhere near as strong as in other countries. Still, the efforts of journalists such as Shiori Ito and BuzzFeed's Keiko Kojima have helped ...
How do you make a thousand-year-old story resonate with an audience in Osaka today? Tell them that you plan to radically modernize one of the most famous literary works ever to come out of Japan to fit present concerns. The centerpiece of "Asia.ai" is an ...
Performance artist feels immense pressure to fit into a mold in Japan.
At a certain level, the act of resettling overseas unsettles the idea of home itself. It ruptures the narrative of belonging that we construct through attachments to people and places. For the immigrant, home is no longer an immutable fact, but a space between memory and desire — always elsewhere. This sense of estrangement is perhaps most strongly felt when returning "home" after a long period of leave. As Czech novelist Milan Kundera once put it, going back reveals "the substantial strangeness of the world and of existence." ...
Move to rest, sleep, and dream. Move to pass time, bloom, and linger." These are the opening lines of performing artist Eiko Otake's "Delicious Movement Manifesto."
Franco-Austrian choreographer and director Gisele Vienne is fascinated by puppets and brings a group of nine ventriloquists and their marionettes to the stage in her latest piece, "The Ventriloquists Convention." The play is part of the World Theatre Festival Shizuoka run by Shizuoka Performing ...
A bonanza is brewing in Tokyo and Yokohama for lovers of cross-cultural contemporary theater. That's because, from Jan. 25 to Feb. 5, the capital's Minato Ward hosts a new performance and workshop program named Theater Commons Tokyo. Meanwhile Yokohama's Naka Ward welcomes the seventh ...
"Good fences make good neighbors" is an often-quoted line from Robert Frost's poem "Mending Wall" about two farmers united in their effort to rebuild a wall that divides their land. Less well known is the poem's central query: "Why do good fences make good ...
