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In these pandemic times, the digital tools that connect people in the absence of travel have, by necessity, led to our voices taking precedence over our bodies. Fewer domains have felt the effects of this disembodiment more acutely than the performing arts.

In Japan, as in many parts of the world, theaters are still struggling to find funding, facilitate live productions, run rehearsals, conduct outreach programs and fulfill the many activities that make up the community-based art form.

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