Tag - masaharu-take

 
 

MASAHARU TAKE

Japan Times
CULTURE / Film
Jan 5, 2023
‘We Make Antiques! Osaka Dreams’: Con-men hijinks bring on laughs
The third installment in the “We Make Antiques!” series may not steal many new hearts, but Kiichi Nakai and Kuranosuke Sasaki provide enough laughs to keep the capers going.
Japan Times
CULTURE / Film
Nov 25, 2020
‘Underdog’: This two-part boxing epic packs a punch
Director Masaharu Take's 276-minute film was inspired by Martin Scorsese's boxing saga “Raging Bull.”
Japan Times
CULTURE / Film
Jul 9, 2020
‘The Gun 2020’: Locked, loaded and nowhere to go
“The Gun 2020” revisits the story of Masaharu Take's 2018 film, “The Gun,” this time with a woman as the weapon-wielding protagonist. A feminist thriller it is not.
Japan Times
CULTURE / Film
Nov 7, 2018
'The Gun': A blast of stylish nihilism
Chekhov's principle about how you can't introduce a gun in the first act of a story without using it later on might also apply to Toru (Nijiro Murakami).
Japan Times
CULTURE / Film
Jan 10, 2018
'We Make Antiques!': A caper flick that's the genuine artifact
One of my guilty pleasures is watching "Kaiun! Nandemo Kanteidan," which translates loosely as "Get Lucky! The 'Anything Goes' Appraisal Team" in English. It has been airing on TV Tokyo since 1994 and has encouraged countless folks to unearth family treasures for inspection by expert appraisers. Quite often, however, the experts unmask the "treasures" as cheap copies, to audience laughter and sheepish grins from the owners.
Japan Times
CULTURE / Film
Jan 7, 2015
100 Yen Love: Punching your way out of an old paper bag
Boxing films share a similar arc, typically climaxing in a big bout that decides everything — at least everything relevant to the hero's fate. This does not always means triumph, as fans of the "Rocky" series know, but even in defeat the hero usually inspires respect and sympathy, at the very least for surviving a contest of a brutality that non-boxers can only imagine.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on