Tag - hiroshi-sakurazaka

 
 

HIROSHI SAKURAZAKA

Japan Times
CULTURE / Books
Dec 5, 2015
Hanzai Japan
Hackneyed writing and plot devices grow like kabi (mold) in crime fiction, but this anthology of 16 stories by writers in and outside Japan serves up tasty surprises. "Jigoku" by Naomi Hirahara is a heartfelt, surefooted tale by a serial killer confined to a cardboard-box in hell. Carrie Vaughn's "The Girl Who Loved Shonen Knife" is a breathless, manga-esque escapade about a schoolgirl who'll stop at nothing to win a battle of the bands contest. And Yumeaki Hirayama's "Monologue of a Universal Transverse Mercator Projection" overcomes its clunky title with an animistic tale of grisly slayings — narrated by none other than an atlas of Tokyo. There's more guts and gore than a Japanese whaling research vessel here — some of it ridiculously gratuitous, as in "The Saitama Chain Saw Massacre" by Japanese science-fiction heavyweight Hiroshi Sakurazaka, author of "All You Need is Kill."
Japan Times
CULTURE / Books
Jul 12, 2014
Meet the Japanese author behind Tom Cruise's new sci-fi smash
You might be surprised to hear that the latest Tom Cruise science-fiction epic, "Edge of Tomorrow," which hit theaters here recently, has a Japanese pedigree. It is based on the short novel "All You Need is Kill" by award-winning author Hiroshi Sakurazaka.
Japan Times
CULTURE / Books
Jul 12, 2014
All You Need is Kill
To tie in with the release of the film "Edge of Tomorrow," Haikasoru has published a graphic novel based on Hiroshi Sakurazaka's "All You Need is Kill," from which the film was adapted. Not to be confused with the manga version of the same title, the comic features art by Lee Ferguson (creator of the award-winning "Miranda Mercury") and is very much drawn in an American style.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on