Tag - film-review

 
 

FILM REVIEW

Japan Times
CULTURE / Film
Feb 22, 2013
'Yokomichi Yonosuke'
Plenty of Japanese directors make films about socially awkward or marginal guys: Given all the on-screen examples (as well as their many real-life inspirations), it seems that the onetime country of the samurai has become the land of the otaku and freeter (unemployed or underemployed), clasping to emotional childhood and/or the economic bottom rungs.
Japan Times
CULTURE / Film
Feb 22, 2013
Silver Linings Playbook
Sometimes life falls off its dreary grid and takes on the texture and flavor of strawberry chiffon cake. That's kind of what happens when watching "Silver Linings Playbook": The more this romantic comedy-drama about an ex-teacher with mental-health problems and the people around him progresses, the more you're glad to be alive, gratified to be at the movies and ready to love the world.
Japan Times
CULTURE / Film
Feb 22, 2013
'Martha Marcy May Marlene'
You're fed up with your family, your upbringing, your school, your social class. You don't fit in and are reminded of it. The rules and social norms that other people seem to follow so blindly seem to you phony, trite, suffocating. You develop an attitude, a bit of psychological armor, and step off the treadmill.
Japan Times
CULTURE / Film
Feb 15, 2013
'Sado Tenpesuto'
Beginning with 2001's "Ichiban Utsukushi Natsu (Firefly Dreams)," a Yasujiro Ozu-esque drama about a friendship that develops between a rebellious teenage girl and an elderly former actress in the countryside, John Williams has been directing films in Japan with Japanese talent that do not proclaim their gaijin-ness. At the same time, he is not trying to make fake "Japanese movies" for foreign or local consumption.
Japan Times
CULTURE / Film
Feb 1, 2013
'R-18 Bungakusho Vol. 1: Jijojibaku no Watashi'
Sex is universal, but kinks can be local. Japanese S&M, at least the varieties I've seen in films over the years, is less about black leather and fishnet stockings, more about candle wax and artfully elaborate knots designed to display the flesh of the (inevitably female) subject in enticing ways.
Japan Times
CULTURE / Film
Feb 1, 2013
Moonrise Kingdom
Wes Anderson is one of those directors who, love him or hate him, has been remarkably consistent. Each film, from "Rushmore" right on down, is an artfully constructed and totally hermetic world unto itself, with flawed or absent father-figures, a closet's worth of funky-yet-chic pop-culture knickknacks and a saucerful of heartbreak.
Japan Times
CULTURE / Film
Feb 1, 2013
'Jack Reacher'
Every time I witness the presence of Tom Cruise in Tokyo, I imagine the possibilities of him moving here as a permanent resident. He loves sushi (apparently a frequent customer at Sukiyabashi Jiro). He knows the streets of Ginza. He's clearly work addicted. Unlike in the U.S. no one here will ever direct ignoble phrases such as "pint-sized" and "diminutive" at his official height of 1.7 meters, though those who have attended to him in the makeup room whisper it's actually 1.67 meters.
Japan Times
CULTURE / Film
Feb 1, 2013
'Jiro Dreams of Sushi'
To describe "Jiro Dreams of Sushi" as a foodie film is akin to picking an English rose and calling it a flower. This documentary by New York-based David Gelb is at once a celebration of one of the world's most popular and coveted meals, and a firsthand observation of Japan's most famous sushi chef at work. What unfolds here is less a story than immersion in a painting hung in a exclusive gallery; you find yourself lost in the details of the counter at Sukiyabashi Jiro, and catching your breath at the outrageous beauty of chef Jiro Ono's omakase (chef's choice) plate.
Japan Times
CULTURE / Film
Jan 25, 2013
'Life of Pi'
Director Ang Lee's adaptation of author Yann Martel's Man Booker Prize-winning "Life of Pi" feels almost like two films sandwiched into one. In the core, you have the succulent special-effects-driven story of a young Indian survivor of a shipwreck who's adrift in a lifeboat with a man-eating Bengal tiger. Yet wrapped around that is a deeply fried New Age-y/spiritual parable about "finding God."

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on