Japanese animators have good reason to hate the label "new Miyazaki," meaning successor to animation genius Hayao Miyazaki, who retired from feature filmmaking in 2013. First, it saddles them with fan expectations that their films will resemble — or imitate — the master's. Second, their box-office figures are compared to Miyazaki's, which soared to stratospheric heights that few rivals or successors have ever approached.