Tag - essays

 
 

ESSAYS

Japan Times
JAPAN / History / THE LIVING PAST
Jun 20, 2021
One era’s eccentrics are another’s model citizens
Would an outcast from the Heian Period feel more at home in the Edo Period? Or are there general characteristics that unites any society's eccentrics?
Japan Times
CULTURE / Books / ESSENTIAL READING FOR JAPANOPHILES
Mar 9, 2019
'Japan in the World': A comprehensive analysis of Japan's international image
Published near the height of Japan's global economic power in 1993, 'Japan in the World' brings together essays that reflect on the country's place in international affairs.
Japan Times
CULTURE / Books / RECENTLY PUBLISHED BOOKS ABOUT JAPAN
Mar 2, 2019
'The Land We Saw, the Times We Knew': An eclectic collection of insightful essays on early-modern Japan
Rich history is woven into each of the essays in 'The Land We Saw, the Times We Knew,' forming a picture of a Japan not unrecognizable to that of today, but one which has not yet made the Meiji Era leap into modernity.
CULTURE / Art
Jun 4, 2014
'Essays in Idleness: Enjoying Classical Literature Through Art'
The collection of essays "Tsurezuregusa (Essays in Idleness)" written by Yoshida Kenko in 1330-31 is considered as one of the three greatest zuihitsu (collection of writings) in Japan, along with "Makura no Soshi (The Pillow book)" by Sei Shonagon and Kamo no Chomei's "Hojoki (An Account of My Hut)." However, it was not until the Keicho Era (1596-1615) that "Tsurezuregusa" first became critically acclaimed and not until the Edo Period (1603-1867) when it was widely read and studied. During this time it also became the subject of artworks known as tsurezure-e.
Japan Times
CULTURE / Books
Sep 7, 2013
Searching to define difficult, elusive concept
The title of this book is exquisite, while the cover illustration is of something else, different yet just as exquisite. This is appropriate because the aesthetic concept that the book considers is not just beautiful, but elusive and difficult to define.
CULTURE / Books
Aug 17, 2013
Unmissable response to George Orwell's 1946 essay 'Why I Write'
A slender, beautifully bound blue hardback showed up on my desk. Its pages were creamy, its typeface clear in a formal, old-fashioned way. Each page number was picked out in scarlet. It was a book to put Kindle out of business, so covetable that, I almost thought, it scarcely mattered what it contained. It was then I noticed its curious title, "Things I Don't Want to Know," and a quotation, picked out on the cover in pink type: "To become a WRITER I had to learn to INTERRUPT, to speak up, to speak a little louder, and then LOUDER, and then to just speak in my own voice which is NOT LOUD AT ALL."
Japan Times
CULTURE / Books
Aug 3, 2013
The messy, chaotic real life of artists
A couple of years ago, the New Yorker writer Janet Malcolm, who knows enough about journalism to hardly ever give interviews herself, spoke to Katie Roiphe for the Paris Review. Except that she didn't actually speak to her — or at least, not while Roiphe's tape recorder was rolling.

Longform

Later this month, author Shogo Imamura will open Honmaru, a bookstore that allows other businesses to rent its shelves. It's part of a wave of ideas Japanese booksellers are trying to compete with online spaces.
The story isn't over for Japan's bookstores