‘The Women’: A harrowing journey with a tidy end
Yukiko Shinohara’s vulnerable character is put through the wringer, dealing with one disaster after another. But all is not lost in Nobuteru Uchida’s latest drama.
'A Madder Red': Yuya Ishii's pandemic drama is scattershot but soulful
Social realism rubs up against melodrama in the film "A Madder Red," which focuses on a single mother dealing with economic challenges during the pandemic.
Clive Davies: A peek behind the scenes of saigen dramas
Tokyo-based actor and writer Clive Davies on what, exactly, a saigen reenactment drama is, the hardest thing he's ever done for a shoot and his film reviews — all 7,000-plus of them.
'The Forest of Love': Netflix feature lets Sono be Sono
Sion Sono's return to filmmaking sees him blend all of his hallmarks into one gore-drenched epic
Junji Sakamoto points his camera at small-town Japan in 'Another World'
Born in Osaka in 1958, Junji Sakamoto belongs to a generation of Japanese directors who carved out independent paths in the industry, outside the then-defunct studio system. His feature debut, the 1989 boxing film "Knockout," won a shelf of domestic prizes, including the Blue ...
'Passage of Life': A family drama that treats refugees with respect
Hollywood films about the immigrant experience are common enough (see "The Godfather" and other classic gangster movies for examples), while Japanese films on the same topic are rare, save for those about Zainichi (ethnic Koreans) in Japan. (Among the best is Zainichi director Yoichi ...
'The Chaplain': Ren Osugi shines as a clergyman working on death row
The sudden death of Ren Osugi last February robbed Japanese cinema of one of its most dependable actors. That loss is rendered all the more acute by "The Chaplain," Osugi's final screen role, and his debut as producer. It's the kind of serious, intelligent ...
'My Dad is a Heel Wrestler': A body-slamming celebration of a spandex brotherhood
Movies about pro-wrestling seldom star actual pro wrestlers. Instead we get Mickey Rourke ("The Wrestler") or Ryuta Sato ("Gachi Boy: Wrestling with a Memory"). But the ascent to Hollywood stardom of Dwayne Johnson, who wrestled professionally as "The Rock," has inspired New Japan Pro-Wrestling, ...
Ryusuke Hamaguchi's Cannes submission tackles the difficulties of relationships
It has been more than two decades since Takeshi Kitano, Naomi Kawase, Kiyoshi Kurosawa and Hirokazu Kore-eda began collecting major festival invitations and prizes as the leaders of Japanese cinema's 1990s new wave. Since then younger directors have struggled to crack this "4K" establishment ...
'The Name': Ren Komai's performance raises a multilayered drama
What's in a name? On one level, it's how you identify yourself to yourself (as in dorky name, dorky self-image). On another, it's your social calling card, your link to family, going back generations (or not, if an ancestor decided to exchange one name ...
Juliette Binoche gets to see the 'real' Japan in 'Vision'
"It's so warm in here!" exclaims Juliette Binoche. "You know in (Michael) Haneke's film, I have a scene where I kind of suffocate and I think that I'm going to die? It feels like that! Do you think you can open the window?" The grande ...
'Shoplifters': Kore-eda's Palme d'Or winner is an eloquent look at the human condition
When a Japanese director wins the Palme d'Or — the highest award at the Cannes Film Festival, the film world's equivalent of soccer's World Cup — the response of the local media is to celebrate: Our side won. Making the victory sweeter for Hirokazu Kore-eda ...
