Art history, like the military kind, is written by the victors. Thus Florentine Giorgio Vasari’s encyclopedic “Lives of the Artists,” published in 1550, is a propagandist’s account of his home city’s starring role in the artistic and intellectual phenomenon we now call the Renaissance.
Historians bought Vasari’s line, and today, Florence takes the Renaissance credit — but it was nearly not so. Once, Florence had a serious artistic rival: its Tuscan neighbor the city-state of Siena. An exhibition of Sienese art, at the Tokyo Station Gallery until Dec. 6, goes a good way toward explaining why.
Unable to view this article?
This could be due to a conflict with your ad-blocking or security software.
Please add japantimes.co.jp and piano.io to your list of allowed sites.
If this does not resolve the issue or you are unable to add the domains to your allowlist, please see out this support page.
We humbly apologize for the inconvenience.
With your current subscription plan you can comment on stories. However, before writing your first comment, please create a display name in the Profile section of your subscriber account page.