Goldie is a dark angel of drum ‘n’ bass. His sonic tricks swoop into the listener’s consciousness, twisting time and space before rumbling onto the dance floor in a crescendo of breakbeats.
“Terminator,” his epoch-making “darkcore” cut, was the genre at its most frenetic and ferocious. “Timeless,” his bittersweet lullaby of the ghetto, was its polar opposite. Passing in a flash of jazzy hooks, edgy beats and mesmerizing production effects, the cut’s 20-some minutes are seemingly compressed into a second. Listening to “Timeless” is the musical equivalent of traveling at the speed of light.
Unable to view this article?
This could be due to a conflict with your ad-blocking or security software.
Please add japantimes.co.jp and piano.io to your list of allowed sites.
If this does not resolve the issue or you are unable to add the domains to your allowlist, please see out this support page.
We humbly apologize for the inconvenience.