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May 03, 2024
 

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CERAMICS

Japan Times
CULTURE / Art
Sep 25, 2014
Transforming the splendor of Japanese art
Every culture treasures its arts, and art museums are at the forefront of art preservation, engaging curators and specialists to ensure works remain as faithful to the originals as possible.
Japan Times
CULTURE / Art
Aug 14, 2014
'Imari: Japanese Porcelain for European Palaces'
Japan first began producing porcelain during the early 17th century in Hizen Province, now the city of Arita in Saga Prefecture. Techniques from Korea were used with aesthetics influenced by Chinese Jingdezhen porcelain, a popular style at that time. Since many of the products were created for export via the harbor of Imari, they later became known as Imari ware.
Japan Times
CULTURE / Art
Jul 24, 2014
'Cool and Breezy: Summer Greetings through Paintings and Ceramics'
Just like its title suggests, this exhibition aims to show viewers that feeling cool and refreshed is not something that can only be experienced physically.
Japan Times
CULTURE / Art
Jul 10, 2014
Combinations that break the surface like a lotus flower
At exhibitions, ancient ceramics tend not to be the draw card that contemporary photography can be. With this in mind, The Museum of Oriental Ceramics, Osaka, has combined the two together.
Japan Times
CULTURE / Art
Jun 4, 2014
'Yasuyoshi Sugiura: A Natural History of Ceramics — Making Nature'
While attending college, Yasuyoshi Sugiura was moved by the words of his teacher, who told him, "ceramics are stones." This inspired the artist to explore the potential of clay as a medium, creating works such as the "Stones of Ceramics" series" that, as the title suggests, presented small, realistic ceramic rocks. By taking a conventional and ubiquitous shape and re-creating it in an unfamiliar material, Sugiura challenges visitors to re-examine and re-interpret the ordinary.
Japan Times
CULTURE / Art
Apr 9, 2014
'As Pure As the Lotus: East Asian Ceramics and the Eyes of the Photographer Muda Tomohiro'
A stark contrast to the muddy waters it grows in, the lotus is a beautiful flower that has a particular significance in East Asia. It is often used as a motif in paintings and artisanal works to symbolize life fulfillment or the affection between men and women, and it is also the emblem of kunshi, the princely ideal of Confucianism.
Japan Times
CULTURE / Art
Apr 2, 2014
'French Ceramics at the Time of Impressionism 1866-1886: Maturity of Japonisme'
Most people associate Impressionism with the famous colorful impasto paintings of Renoir, Monet or Manet. Few, however, are familiar with its influence on 19th-century ceramics.
Japan Times
CULTURE / Art
Feb 19, 2014
Ryuichi Kakurezaki: on clay and legends
It's not easy to make profound changes in a ceramic style that has a 1,000-year history. Take, for instance, the style known as Bizen. Bizen pottery is one of Japan's most celebrated high-fired unglazed ceramic styles, and continues to be so to this very day. Forms that started with farmers' needs in the 12th century morphed with the demands of the tea ceremony in the 16th century and basically have never changed, ever.
Japan Times
CULTURE / Art
Nov 27, 2013
'Raku Tea Bowls and Celebrating the New Year with Pine Trees in the Snow'
Raku (comfort, ease) bowls were considered some of the most valued tea-ceremony vessels throughout Japan during the 16th and 17th century. Originally created by 16-century tea master Sen Rikyu and tile master Chojiro, the bowls, usually made from red or black clay and hand molded, were passed down through generations. They became symbolically influential throughout Japan's history of culture and literature.
Japan Times
CULTURE / Art
Nov 20, 2013
Tea bowls, simple emblems of power
"Ido Tea Bowls: Treasured Possessions of Muromachi Daimyo," currently showing at the Nezu Museum, presents an array of 72 rare tea bowls that were once owned by renowned warlords, tea masters and Buddhist temples. Produced by country potters in kilns in Korea's South Kyungsang province, these bowls were originally for domestic use and became treasured by Japanese tea masters and Muromachi Period (1338-1573) warlords for their rustic simplicity and rarity. They came to play a pivotal role in Japanese history.
Japan Times
CULTURE / Art
Nov 20, 2013
'Ding Ware: The World of White Elegance — Recent Archaeological Findings' (Ceramics)
Subtle and creamy-white in coloration, Ding Ware has a refined aesthetic. It was created during the Tang Dynasty (618-907) and became one of the most highly desired pottery forms of the Song (960-1279) to Jin (1115-1234) dynasties.
Japan Times
CULTURE / Art
Oct 9, 2013
'Captivating Qing-dynasty Ceramics'
Chinese ceramics made during the Qing Dynasty (1644-1912) are considered some of the finest in the world. Their delicate aesthetics and attention to elaborate detail, made such works particularly popular with the European nobility of that time. As their popularity and value increased overseas, more works were made for exportation.
Japan Times
CULTURE / Art
Sep 25, 2013
Chawan: Simply, some of the hardest works of pottery to create
In the world of Japanese traditional ceramics there is not one form held in higher esteem than a chawan, a "mere" bowl used to serve whipped green tea.
Japan Times
CULTURE / Art
Sep 4, 2013
'Special Exhibition: Momoyama Ceramic Masterpieces — Shino, Ki-seto, Seto-guro and Oribe Wares'
The ceramics in this exhibition date to the late-Momoyama Period (1573-1615) and all hail from the Mino Province in modern-day Gifu Prefecture. Four kinds of Mino ceramic ware became representative of the Momoyama Period — Shino (thick white glaze with red marks), Ki-Seto (yellow glaze and green blemishes), Seto-guro (black glaze) and Oribe-yaki (various colors but predominantly green glaze).
Japan Times
CULTURE / Art
Aug 14, 2013
'The Hakutoro Collection: The Grace of Ancient Chinese Ceramics'
Art collector Kinji Usato, also known as Hakutoro, shares an expansive selection of Chinese ceramics for this show at The Museum of Oriental Ceramics. Ninety works, spanning 5,000 years of Chinese ceramics from the Neolithic age to the Qing Dynasty, from his personal collection will be on display.
Japan Times
CULTURE / Art
Jul 24, 2013
Crawling through the mud in style
It's quite fitting that the major Osamu Suzuki (1926-2001) retrospective, the first since the ceramicist's passing, is taking place at The National Museum of Modern Art in Kyoto, the hometown of the artist.
Japan Times
CULTURE / Art
Jul 10, 2013
'Living National Treasure, Matsui Kosei: A Retrospective'
Kosei Matsui, a designated living national treasure, fused traditional techniques with his own creative expression to craft beautiful ceramics. To commemorate a decade since his passing, this exhibition showcases some of the finest examples of Matsui's work alongside the tools that he used and some photographs of the artist.
Japan Times
CULTURE / Art
Jun 13, 2013
The collector who saw the fine print
The Nezu Museum is currently showing "Ceramics and Ukiyo-e Masterpieces from the Hagi Uragami Museum," an exhibition of outstanding artworks collected over the years by the entrepreneur Toshiro Uragami, who donated them to the Hagi Uragami Museum in Yamaguchi Prefecture in 1996.
Japan Times
CULTURE / Art
Jun 6, 2013
Get intimate with Ryota Aoki's work and discover its secrets
Known mostly for producing exquisite white ceramic ware, Ryota Aoki has about-turned for his current exhibition at Tomio Koyama Gallery, Kyoto. The overwhelming shift is to black wares: think practical, utilitarian tableware such as plates, cups, pitchers and vases. Inundated with orders, particularly from the United States and Canada, international demand for his work now outstrips the domestic, so the ceramicist has expanded his workshop staff to fill orders.
Japan Times
CULTURE / Art
May 30, 2013
"The Magic of Ceramics: Artistic Inspiration"
During the 1950s, ceramic art in America and Europe began to shift from being seen as a craft to being appreciated as an art form. This was partly due to popular artists, such as Joan Miro and Pablo Picasso, who often created abstract artworks in clay. Recently in Japan, more artists, particularly oil painters and wood and plastic sculptors, have also started using clay as a medium.
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