‘Skeleton Flowers’: A quiet drama of honesty and growth
In Rikiya Imaizumi’s latest film, newcomer Sara Shida gives a centered performance as an artsy teen coming to terms with her father’s new relationship and her mother’s reappearance.
‘True Mothers’: An intimate look at two sides of adoption
Naomi Kawase’s drama tackles child adoption and teenage pregnancy with seriousness and compassion, while drawing a stand-out performance from Aju Makita.
In ‘True Mothers,’ Naomi Kawase examines what makes a family
Naomi Kawase draws on personal experience in her new film, an intimate look at adoption that blurs the line between documentary and fiction.
'Dare to Stop Us': Japanese cinema's bad boy as seen by one of the women who worked with him
In the 1960s Koji Wakamatsu was Japanese cinema's enfant terrible: A real-life outlaw — he once joined a yakuza gang and served time in prison — he made pioneering "pink" (softcore porn) films such as "The Embryo Hunts in Secret" (1966) and "Go, Go, ...
'And Then There Was Light': Moments of beauty engulfed in miserabilism
Tatsushi Omori's films have been pushing boundaries since his 2005 debut "The Whispering of the Gods," with its story of a young murderer's return to a Christian community presided over by the priest who abused him as a child. A similar fascination with the darker ...
Adaptation of Banana Yoshimoto's 'Asleep' is heavy with depression and Eros
Sleep is the great restorer, one we frazzled moderns eternally need, desire and lack. But for Terako (Sakura Ando), the sleepy-eyed heroine of photographer and director Shingo Wakagi's "Shirakawa Yofune" ("Asleep"), the bedroom is a battleground of the spirit. She sleeps and sleeps in her ...
