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Glass blossom: 'Hanaguruma' ('Wheel of Flowers') by Akane Yamamoto. One can almost smell the sweet scent of the ume (Japanese plum) blossoms in the lovely pattern that adorns this shallow bowl. |
Glass blossom: ‘Hanaguruma’ (‘Wheel of Flowers’) by Akane Yamamoto. One can almost smell the sweet scent of the ume (Japanese plum) blossoms in the lovely pattern that adorns this shallow bowl. |

THE BRITISH MUSEUM’S GLASS COLLECTION INCLUDES A BOWL WITH GOLD-LEAF PATTERNS THAT IS ESTIMATED TO HAVE BEEN MADE AROUND 250 B.C. THE GOLD LEAF IS SANDWICHED BETWEEN TWO LAYERS OF GLASS, BUT THE LAYERS WERE NEVER FULLY FUSED TOGETHER. WHEN TWO PIECES OF GLASS ARE CURVED, THEY ARE EXTREMELY DIFFICULT TO FUSE, AND THAT FEAT HAS REMAINED A HOLY GRAIL FOR GLASSMAKERS THROUGH THE AGES.

THE ARTIST WHO FINALLY ACHIEVED THAT GOAL WAS AKANE YAMAMOTO. FASCINATED BY THE CRAFT OF KIRIKANE, IN WHICH VERY FINE STRIPS OF METALS LIKE GOLD AND PLATINUM ARE USED TO FORM DECORATIVE PATTERNS, SHE SET OUT TO INCORPORATE THE TECHNIQUE IN HER SHAPING OF GLASS. THROUGH TRIAL AND ERROR, SHE SUCCEEDED IN DEVISING A WAY TO SET THREE-DIMENSIONAL GOLD KIRIKANE ORNAMENTS AS IF THEY WERE FLOATING BETWEEN TWO GLASS LAYERS. A MAJOR CHALLENGE WAS THAT THE MELTING TEMPERATURE OF GOLD IS NOT MUCH DIFFERENT FROM THAT OF GLASS, SO HER TIMING HAD TO BE ABSOLUTELY PERFECT TO KEEP THE GOLD PATTERNS FROM LOSING SHAPE. SHE ACCUMULATED A VAST ARRAY OF DATA CORRELATING SUCH FACTORS AS THE SIZE OF A PIECE AND THE SPEED AT WHICH THE KILN HEATS UP. ALL THAT EFFORT PAID OFF WHEN, IN LONDON IN 2014, SHE EXHIBITED AT COLLECT, THE INTERNATIONAL ART FAIR FOR MODERN CRAFT AND DESIGN. BRITISH GLASSMAKERS PRAISED HER CREATION AS BOTH A BEAUTIFUL WORK OF ART AND AN AWE-INSPIRING TECHNICAL TRIUMPH.

YAMAMOTO’S COMMITMENT TO INNOVATION IS TYPICAL OF THE NEW GENERATION OF JAPANESE ARTISTS WORKING WITH GLASS, AS IS HER AESTHETIC FLAIR. THE PROSPECTS FOR GLASS CRAFT IN THE 21ST CENTURY LOOK BRIGHT INDEED, THANKS TO PHENOMENAL TALENTS LIKE HER.

UPCOMING EXHIBITIONS:

Golden glow: 'Asagao' ('Morning Glory') tea-ceremony bowl by Akane Yamamoto. Born in Ishikawa Prefecture in 1977, Kyoto resident Yamamoto won the Encouragement Prize of the Pola Award for the Promotion of Traditional Japanese Culture in 2015. Exquisitely wrought bands of gold glow from between two layers of glass, an effect achieved through a firing process that melts the glass just enough for the two pieces to fuse together without overheating the metal. |
Golden glow: ‘Asagao’ (‘Morning Glory’) tea-ceremony bowl by Akane Yamamoto. Born in Ishikawa Prefecture in 1977, Kyoto resident Yamamoto won the Encouragement Prize of the Pola Award for the Promotion of Traditional Japanese Culture in 2015. Exquisitely wrought bands of gold glow from between two layers of glass, an effect achieved through a firing process that melts the glass just enough for the two pieces to fuse together without overheating the metal. |

AKANE YAMAMOTO HAS TWO UPCOMING EXHIBITIONS FEATURING HER KIRIKANE GLASSWORK:

“ELEGANT LUSTER OF GOLD: DECORATION OF KIRIKANE TECHNIQUE” AT THE ISHIKAWA PREFECTURAL MUSEUM OF ART IS SCHEDULED TO RUN FROM JUNE 20 THROUGH JULY 26; ¥370. FOR MORE INFORMATION, VISIT www.ishibi.pref.ishikawa.jp.

“Contemporary Japanese Crafts: Reinterpretation, Exquisite Craftsmanship, and Aesthetic Exploration” at the Panasonic Shiodome Museum of Art is scheduled to run from July 18 through Sept. 22; ¥1,000. For more information, visit panasonic.co.jp/ls/museum.

Due to the outbreak of the COVID-19 pandemic, health guidelines and scheduled events are subject to change. Please check with national health authorities and venue websites for the latest information before heading out.

For more insight into Japan’s culture, arts and lifestyle, visit int.kateigaho.com.

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