Meitei has come a long way from the chilly, ambient flavors of his 2019 album “Komachi.” That offering, released on Berlin label Metron Records, left us with a headful of fragile soundscapes and nature-inspired sculptures — much of it born of a ghostly lo-fi world.
“Kofu II,” on the other hand, is an evolution. As the sequel to his 2020 album “Kofu,” the sonic landscapes created here are richer; there is a weathered bounce to the proceedings, constructions that feel recognizable as opposed to hazy and formless.
Unable to view this article?
This could be due to a conflict with your ad-blocking or security software.
Please add japantimes.co.jp and piano.io to your list of allowed sites.
If this does not resolve the issue or you are unable to add the domains to your allowlist, please see out this support page.
We humbly apologize for the inconvenience.