It was late March when filmmaker Kazuhiro Soda realized he needed a Plan B. His latest documentary, “Zero,” had won an Ecumenical Prize at this year’s Berlin International Film Festival and was due to open in Japanese cinemas in just over a month. But, in the age of coronavirus, it only takes days for the best-laid plans to unravel.
Soda and his wife, producer Kiyoko Kashiwagi, had arrived in Tokyo from their home in New York for a promotional tour on March 25. A day later, Japan started restricting entry to all travelers from the United States.
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