• SHARE

As the Reiwa Era begins, Japanese music producer Daisuke Fujita, aka Meitei, is looking forward while sticking to the traditions of the past. Fresh from last year’s spook-summoning album “Kwaidan,” which featured in “Best Albums of 2018” accolades curated by the likes of Pitchfork and Bandcamp, the Hiroshima-based music maker has just released a follow-up, titled “Komachi.”

And it’s in his childhood hometown memories where we find the origins, not just for this album, but his entire approach to creating music.

Unable to view this article?

This could be due to a conflict with your ad-blocking or security software.

Please add japantimes.co.jp and piano.io to your list of allowed sites.

If this does not resolve the issue or you are unable to add the domains to your allowlist, please see out this support page.

We humbly apologize for the inconvenience.

In a time of both misinformation and too much information, quality journalism is more crucial than ever.
By subscribing, you can help us get the story right.

SUBSCRIBE NOW

PHOTO GALLERY (CLICK TO ENLARGE)