We sometimes forget that the great film director, Akira Kurosawa, was also an accomplished scriptwriter. In this, his wonderfully digressive autobiography, he rightly eschews the trivia of opening nights or the demands of leading ladies, to focus on the art of filmmaking, the role of director, the use of multiple cameras in a single shot, the process of editing and the importance of immersing oneself in good literature.

Born in 1910, Kurosawa lived through periods of unimaginable change. As a schoolboy he witnessed the Great Kanto Earthquake in 1923, and its effect on human behavior. On the massacre of Korean residents of Tokyo after the quake, he writes that it was, “brought on by demagogues who deftly exploited people’s fear of the darkness.” In an old garment district near the Sumida River, he comes across a landscape remodeled with mounds of corpses: “On top of one of these mountains,” he writes, “sat a blackened body in the lotus position of Zen meditation.”

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