OSAKA – It’s at a showcase for Berlin’s Pan record label, where I first stumble on Osaka band Goat. As I walk down the concrete steps of Shinsaibashi venue Conpass, I can already hear the music. The gradually increasing reverberations of sound grow ever more tight and mechanical, but it’s not until I open the door to the main room that I fully realize the intensity emanating from the stage is coming from four men, each huddled stoically over their equipment.
What unfolds is a sight to behold.
Unable to view this article?
This could be due to a conflict with your ad-blocking or security software.
Please add japantimes.co.jp and piano.io to your list of allowed sites.
If this does not resolve the issue or you are unable to add the domains to your allowlist, please see this support page.
We humbly apologize for the inconvenience.
In a time of both misinformation and too much information, quality journalism is more crucial than ever.
By subscribing, you can help us get the story right.
SUBSCRIBE NOW
PHOTO GALLERY (CLICK TO ENLARGE)
With your current subscription plan you can comment on stories. However, before writing your first comment, please create a display name in the Profile section of your subscriber account page.