“Don’t Know Where” lacks prerelease hype, sub-subgenre classification or needless gimmicks (unless consistant lyrical allusions to driving cars qualifies — autocore, anyone?). Honeydew’s debut album is a simple collection of feedback-assisted indie pop reminiscent of U.S. group Yo La Tengo’s catchier rock songs — and thank goodness for that. The Tokyo trio’s straightforwardness feels like a much-needed oasis in a musical landscape that can sometimes demand Wikipedia-like levels of knowledge to keep up.

The biggest strike against “Don’t Know Where” is that it peaks way too early — opening one-two jabs “Little Rusty Lemon” and “Heavy Rainy Day” nail the fuzz-smeared indie-pop vibe, both tracks cruise along smoothly until smacking into their choruses. Later on, the title track comes closest to matching that initial rush, with alt-rock-radio-worthy guitar chugs powering the song forward. The band succeeds at a slower tempo on “My Honeydew,” and strip down to just an acoustic guitar and voice on the final proper track. “Wake Me Up” aims for dreamier pleasures and works, but gets souped-up courtesy of a remix tucked into the back of the album via New York musicians Chimp Beams.

Unable to view this article?

This could be due to a conflict with your ad-blocking or security software.

Please add japantimes.co.jp and piano.io to your list of allowed sites.

If this does not resolve the issue or you are unable to add the domains to your allowlist, please see out this support page.

We humbly apologize for the inconvenience.

In a time of both misinformation and too much information, quality journalism is more crucial than ever.
By subscribing, you can help us get the story right.