Comparisons to Haruki Murakami and J.G. Ballard on the cover of this book do Tsutsui little service. His novels do not have the steely gaze and cool prose of Ballard’s “Crash,” nor the magical-realist tint of Murakami’s “The Wind-Up Bird Chronicle.” What they do have is a thorough awareness of horror films and classic science fiction, plus a peculiar Japaneseness that makes them — for want of a better word — strange.
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