Comedy is big box office in Hollywood now, with such comic odes to male immaturity as “Knocked Up” and “The 40-Year-Old Virgin” grossing north of $100 million. In Japan, on the other hand, making the locals laugh in a movie theater is still the hardest job in the industry — and the returns for comedies accordingly tend to be modest.
It is also the genre that now produces some of the more imaginative and important Japanese films. Surely, you may think, I’m exaggerating? What’s “important” about filming some funnyman’s schtick?
Unable to view this article?
This could be due to a conflict with your ad-blocking or security software.
Please add japantimes.co.jp and piano.io to your list of allowed sites.
If this does not resolve the issue or you are unable to add the domains to your allowlist, please see this support page.
We humbly apologize for the inconvenience.
In a time of both misinformation and too much information, quality journalism is more crucial than ever.
By subscribing, you can help us get the story right.
SUBSCRIBE NOW
PHOTO GALLERY (CLICK TO ENLARGE)
With your current subscription plan you can comment on stories. However, before writing your first comment, please create a display name in the Profile section of your subscriber account page.