An eight year hiatus is a long time for a filmmaker, especially for someone as iconic in indie film as Harmony Korine.
His last project was the little seen "Julien Donkey-Boy,"(1999) made when he was 26 and which gave him the distinction of being the first American director to work under the Dogme 95 Manifesto (an avant-garde filmmaking movement launched by Sweden's Lars Von Trier).
Korine has now returned with "Mister Lonely," a skewed, wildly inventive tale of celebrity impersonators and flying nuns.