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Tom Bojko
For Tom Bojko's latest contributions to The Japan Times, see below:
Japan Times
CULTURE / Music / HIGH NOTES
Jun 19, 2002
Omar Faruk Tekbilek: 'Alif'
With the steaming shimmer of a cymbal, Alif magically opens a creaking door, draws aside a heavy curtain and welcomes us into a room thick with the smell of sandalwood incense where revelers recline on silken pillows and smoke from gurgling hookahs, preparing for a night of decadent pleasures.
CULTURE / Music / HIGH NOTES
Jun 12, 2002
Kona Records: 'Deep Funk Africa'
With a title like "Deep Funk Africa," this CD compilation had better deliver. And deliver it does -- 14 steaming slabs of rough-hewn funk from Ghana, Mobutu's Zaire, Sierra Leone and beyond.
Japan Times
CULTURE / Music / HIGH NOTES
May 29, 2002
Salif Keita: 'Moffou'
Salif Keita -- otherwise known as the Golden Voice of Mali -- has taken some jabs from world music purists in recent years for straying from his traditional African roots in collaborations with the likes of Vernon Reid of Living Color and the keyboardist Joe Zawinal. With "Moffou," Keita has dropped all pretenses and returned to music that is entirely African in inspiration.
Japan Times
CULTURE / Music / HIGH NOTES
May 22, 2002
Theo Bleckmann and Ben Monder
Vocalist Theo Bleckmann only occasionally sings in an identifiable language, a trait that reinforces the impression that he is of another world, a messenger graced with an ethereal sense of beauty and a childlike fascination for exploring the unknown. His style is evocative and beckoning rather than infectious, and sympathetic listeners will find themselves willingly treading fresh terrain, sometimes soft like a swaddling cloth, sometimes strange, dark and subterranean.
Japan Times
CULTURE / Music
May 12, 2002
Making each note dance on the wind
In 1968, at the age of 13, Akikazu Nakamura began playing electric guitar. A few years later, he discovered that one of his favorite bands, King Crimson, counted contemporary classical music among their influences. Intrigued, Nakamura pursued this thread and soon discovered "November Steps" by the composer Toru Takemitsu, an album that features the shakuhachi in a modern context. Nakamura was so blown away by this instrument that he kissed his electric guitar goodbye and embraced the shakuhachi in its place.
Japan Times
CULTURE / Music
May 8, 2002
His fingers on the pulse
Bill Laswell stands in the lobby outside the Shinjuku Pit Inn, where on April 27 and 28 he played to packed houses with drummer Hideo Yamaki and saxophonist Yasuaki Shimizu. He's just set up his bass rig and is wondering where to sit for our interview.
Japan Times
CULTURE / Music
Apr 24, 2002
Kinnie Starr: from strength to strength
Kinnie Starr has a voice that sometimes purrs and sometimes snarls, but either way it is virtually unknown in Japan. That may be changing, though, as she is spending the better part of this month touring the country, both on her own and in the coveted opening slot for the hugely popular Speech, formerly of Arrested Development, who continues to spread his sensitive vibe around the globe.
Japan Times
CULTURE / Music
Apr 21, 2002
A fresh spin on Okinawan tradition
Inside Hot Wax, a hip music shop in Shibuya's Udagawa-cho, the wet, modern sounds of Ryukyu Underground's "Tinsagu nu Hana Dub" wash over racks of used records, compact discs and a half-dozen music lovers. One of the browsers, a young woman, describes the music as "like summer with the windows open."
Japan Times
CULTURE / Music
Feb 20, 2002
Onward klezmer voyager
Like people, music travels. How else could a handful of Japanese musicians have come to embrace klezmer, a centuries-old Eastern European folk music historically associated with traditional Jewish weddings?

Longform

When trying to trace your lineage in Japan, the "koseki" is the most important form of document you'll encounter.
Climbing the branches of a Japanese family tree