Tag - shinichiro-ueda

 
 

SHINICHIRO UEDA

Japan Times
Film / Reviews
Jun 23, 2023
‘River’: A creatively contained time-loop flick
Flooded with ingenuity, the team behind “Beyond the Infinite Two Minutes” renews a winning trope for a captivating, addictive watch.
Japan Times
CULTURE / Film
Feb 3, 2022
‘Popran’: Toilet humor with a moral message
Shinichiro Ueda's zany comedy about the comeuppance of a man whose genitals fly the coop doesn't quite match the energy of the director's “One Cut of the Dead.”
Japan Times
CULTURE / Film
May 8, 2020
'One Cut of the Dead' director Shinichiro Ueda brings teleworking to Japan's film industry
Shinichiro Ueda reunites the cast of his hit comedy 'One Cut of the Dead' for an innovative teleworking sequel
Japan Times
CULTURE / Film
Oct 16, 2019
'Special Actors': Ueda fumbles sophomore feature
Shinichiro Ueda, best known for 2017's 'One Cut of the Dead,' releases his second solo feature, again using a largely unknown cast
Japan Times
CULTURE / Film
Aug 14, 2019
'Aesop's Game': Ueda follow-up is neither tortoise nor hare
Last year, Shinichiro Ueda made Japanese film history with "One Cut of the Dead," a zombie comedy he scripted and directed. Opening in just two Tokyo theaters in June, 2018, the film ended up earning ¥3.21 billion — or more than 1,000 times its ¥3 million budget.
Japan Times
CULTURE / Film / Wide Angle
Jul 11, 2019
Tomorrow's film legends descend on Saitama
Launched in 2004 to promote digital cinema, the Skip City International D-Cinema Festival (July 13-21) in Kawaguchi, Saitama Prefecture, has become a showcase for emerging filmmakers. Among the Skip City alumni who have gone on to thriving careers are Cannes Palme d'Or winner Nuri Bilge Ceylan ("Winter Sleep"), Kazuya Shiraishi ("The Blood of Wolves"), Ryota Nakano ("Her Love Boils Bathwater") and Shinichiro Ueda ("One Cut of the Dead").
Japan Times
CULTURE / Film
Jun 20, 2018
'One Cut of the Dead': A zombie flick that brings indie filmmaking back to life
Both budgets and box-office prospects for Japanese indie films have been declining for years. As the former approaches the zero mark, so do recognizable actors and other standard indicators of quality. Audiences, smelling amateurism, stay away.

Longform

Later this month, author Shogo Imamura will open Honmaru, a bookstore that allows other businesses to rent its shelves. It's part of a wave of ideas Japanese booksellers are trying to compete with online spaces.
The story isn't over for Japan's bookstores