Celebrated domestically and internationally for tea ceremony caddies in lacquer and mother-of-pearl inlay, as well as rather more substantial fittings such as kimono display hangers, artisan Tatsuaki Kuroda (1904-82) has finally been honored with the first Kyoto retrospective exhibition of his work. The exhibition focuses ...
Little information remains about the personal life of the artisan Kojiro Shimizu. His personality and interests, his passions and motivations — all are shrouded in mystery. What we know is that he worked in Kyoto in the late 19th and early 20th century and ...
Much has been made of the recent closure of the monthly print edition of Shoichi Aoki's seminal Fruits street-style magazine, with many ready to cry that it sounds the death knell for Harajuku fashion, rather than seeing it as a simple casualty of the ...
The Edo Period (1603-1868) is renowned for the flourishing of material culture — a time when major advances and innovations in Japanese folk crafts and design were prized by the burgeoning commoner class of Edo (present-day Tokyo) and Osaka. "The Golden Age of Mingei: Life ...
The Power of the Weave, by Tanaka Yuko, Translated by Geraldine Harcourt.International House of Japan, Nonfiction. Most of us give little thought about the materials in, or construction of, our daily ensembles, let alone the possibility of them holding historical ...
When Japan ended its isolation in the mid-to-late-19th-century, it had lots of disadvantages compared to the other major powers. But one distinct advantage that its isolation had preserved was its craft industries and the skills of its craftsmen.
"Mingei" translates as "folk art" and is connected to objects that are made or used by ordinary people on an everyday basis. Usually this evokes hand-crafted objects, such as ceramics, baskets, items of woodwork, etc. As such, the term is evocative of the era ...
