Tag - michihito-fujii

 
 

MICHIHITO FUJII

A group of departed souls trapped in limbo tries to find closure — and finish an uncompleted movie — in Michihito Fujii’s “The Parades.”
CULTURE / Film
Feb 29, 2024
‘The Parades’: Glossy afterlife drama is no ‘After Life’
Michihito Fujii’s wistful film is less than the sum of its influences.
Japan Times
CULTURE / Film
May 11, 2023
‘Hard Days’: Cop thriller remake proves bigger isn't always better
Michihito Fujii’s take on the South Korean movie “A Hard Day” is more convoluted, more implausible and not nearly as much fun as it should be.
Japan Times
CULTURE / Film
Apr 13, 2023
‘The Village’: Backwater hometown hero plot smells off
Michihito Fujii’s drama about a young man struggling in a village that is overshadowed by a large recycling plant is simplistic and contrived.
Japan Times
CULTURE / Film
Mar 3, 2022
‘The Last 10 Years’: Keep a hanky handy for this weepy romance
Michihito Fujii's splashy terminal illness drama can't help succumbing to the usual genre tropes.
Japan Times
CULTURE / Film
Jan 13, 2022
‘The Journalist’: A wake-up call that feels more like a lecture
Netflix's six-episode political drama series expands on Michihito Fujii's 2019 film of the same title, giving a detailed fictionalized account of a real-life scandal.
Japan Times
CULTURE / Film
Jan 27, 2021
‘A Family’: This sentimental ode to yakuza life ignores reality
Michihito Fujii's yakuza film waxes nostalgic about the old-school days of gangsterdom with soggy sentimentality.
Japan Times
CULTURE / Film
Sep 3, 2020
‘The Brightest Roof in the Universe’: Looks nice, lacks sparkle
Michihito Fujii changes pace but can't quite find the right tempo on this lightweight follow-up to gritty award winner “The Journalist.”

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on