My first impression of director Jacques Audiard is that he's almost as wired as the street-punk hero of his film "The Beat That My Heart Skipped," fidgeting in his chair, desperate for a smoke, jumping in mid-translation to clarify a point. Entering his sixth decade, Audiard shows no signs of slowing down, and if anything his films just keep getting better. "Rust and Bone," only his sixth film in a 20-year directing career, is opening wide in Japan — thanks in part to his locally popular star Marion Cotillard — and may finally move the director well beyond his art-house fan base.