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Emerging from the tail end of the 1980s new-wave scene with the band TM Network, Tetsuya Komuro was a producer who defined the 1990s. In fact, anyone searching out a single point when the more modern agglomeration of styles that later became known as J-pop killed off the older kayoukyoku (an older term for mainstream Japanese pop) style, need look no further than the moment in 1989 when Komuro’s “Gravity of Love” beat Seiko Matsuda, the last great kayoukyoku idol, to the No. 1 spot.

“Digitalian is Eating Breakfast 2” consciously harks back to these glory days (part one was a huge hit in 1989) as the latest installment in Komuro’s rehabilitation after his 2008 fraud conviction, and opening track “Vienna” does everything short of crying out “TK is back, baby!” There’s the curiously insubstantial beats, the Eurobeat/trance sequencers, and the mixture of a catchy chorus with a little breakdown for rapper Kreva to do his thing. There’s also a moment when one of Komuro’s synths goes “Squee!” — which is pretty much the ’90s J-pop equivalent of Jimmy Page pulling out a violin bow during “Dazed and Confused.”

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