THE BOOK OF INCENSE, by Kiyoko Morita. Tokyo/New York/London: Kodansha International, 2006, 136 pp., illustrations XX, 1,600 yen (paper)

Incense came early to Japan. According to the fifth-century "Nihonshoki" (Chronicles of Japan), a whole aloeswood tree drifted ashore at Awaji. When the fisherfolk burned it, the smoky perfume eventually attracted the attention of Prince Shotaku. From there it was but a step into Buddhism, the sacred purposes of which incense still serves.

At the same time, a secular use was also found. The court took up what the church had sanctioned, and shortly incense fumed at hearth and home. The 11th-century "Tale of Genji" makes frequent references to it. The Shining Prince, Genji himself, encounters it first in a temple, then takes it back and domesticates it. Shortly we find him scenting his robes by holding a small, smoking brazier under each sleeve.

The first imperial poetry collection, the 10th-century "Kokinshu," spoke of "that fragrance more alluring than color" and even the very particular Heian Period author Sei Shonagon included scented robes in her "Pillow Book" listing of things more pleasant than not.