Say the word "Momoyama" to any Japanese pottery connoisseurs, and their eyes will inevitably light up. Most ceramic enthusiasts would give up any Saturday-night vice to own just one Momoyama Shino, Bizen or Karatsu guinomi (sake cup) or chawan (tea bowl).
Allow me to explain. Many of Japan's greatest pottery styles (and other art forms) matured under those who shaped the cultural landscape of the Momoyama Period (1568-1715). Most of these artistic "directors" were powerful warlords and Zen monks connected to the Way of Tea. These men forsook expensive imported Chinese items to focus on humble-yet-sublime native pieces and Korean wares.
These tea wares, however, lost much of their popularity in the colorful Edo Period (1603-1867) through to the Taisho Era (1912-1926). It wasn't until a Momoyama revival occurred in the early Showa Era (1926-1989) that these treasured wares were again appreciated for the glory and pride they have given to Japan's splendid ceramic heritage.