author

 
 

Meta

Kenichi Iinuma
For Kenichi Iinuma's latest contributions to The Japan Times, see below:

Longform

Yayoi Kusama’s “Pumpkin,” once the victim of high waves that dragged it into the sea, sits at the end of a pier on the south side of Naoshima.
Why is the most exciting art in Japan so hard to get to?