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CULTURE / Art
Mar 26, 2014

On light, wind — and good sake

Tokyo Station Gallery is one of the more interesting art venues in the city. Occupying part of the renovated Tokyo Station Building, it combines daring modern design with the building's early 20th-century, red-brick charm.
Japan Times
CULTURE / Art
Feb 19, 2014

Ryuichi Kakurezaki: on clay and legends

It's not easy to make profound changes in a ceramic style that has a 1,000-year history. Take, for instance, the style known as Bizen. Bizen pottery is one of Japan's most celebrated high-fired unglazed ceramic styles, and continues to be so to this very day. Forms that started with farmers' needs in...
Japan Times
CULTURE / Art
Feb 12, 2014

The Pre-Raphaelites: Britain’s Romantic rule breakers

Some paintings will always be identified with the place where you first saw them. You may even feel surprised to see them somewhere else. This is how I felt when I visited the Mori Arts Center Gallery, one of Tokyo's high-rise art venues, to see "Pre-Raphaelites: Victorian Avant-Garde."
Japan Times
CULTURE / Art
Oct 30, 2013

Turner: Steering art toward Impressionism

One of the most impressive paintings at the "Turner from the Tate" exhibition now on at the Tokyo Metropolitan Art Museum is "Spithead: Two Captured Danish Ships Entering Portsmouth Harbour" (1808).
Japan Times
JAPAN
Sep 13, 2013

Zaha Hadid: queen of the curve

Zaha Hadid was once flying to Frankfurt to give a talk. Her plane taxied out, developed a minor fault, and stopped. She refused to believe the reassurances that the delay would be brief, and demanded that she be put on another flight. Her wish was impossible — to return to the stand, to unload and...
Japan Times
CULTURE / Stage
Aug 29, 2013

Japan's love affair with Chekhov

"I have rarely seen a great production of any Chekhov play in Japan. Sometimes, I've even wanted to ask how they managed to make them so tedious."
Japan Times
COMMUNITY / Our Lives / MIXED MATCHES
Jul 29, 2013

Haiku brought together Polish-Japanese couple

They say that languages bring people closer together and bridge distances. So, too, does the Internet.
Japan Times
CULTURE / Art
Jul 24, 2013

The Pushkin's masterpieces cannot fail to inspire

There are a lot of people who wish that art had simply stopped around 1911 or so. If it had, we would have been spared many of the monstrosities that modern art then proceeded to unleash — urinals in art galleries, randomly distributed paint, pickled animals, cans of the artist's excrement, etc. Of...
Japan Times
CULTURE / Art
Jul 3, 2013

The 'floating world' that drifted to the West

The main pleasure of any extensive ukiyo-e (woodblock print) exhibition, like the "Floating World" show now on at the Mitsubishi Ichigokan Museum, is the evocation of the unique civilization that underlies this particular slab of global modernity.
Japan Times
CULTURE / Art
May 30, 2013

Art born from the disingenuous

The most radical force in art is not, as most people assume, genius, inspiration or sheer talent, it is instead a lack of technical ability. Combined with a strong desire to be an artist, this can prove to be a powerful driver of change and innovation, as revealed by "Odilon Redon: The Origins of the...
Japan Times
CULTURE / Art
Feb 28, 2013

In New York, the Guggenheim goes Gutai

By now, the looks, character and history of Gutai, the post-World War II Japanese art movement born in 1954 in Ashiya, between Osaka and Kobe, are familiar to regular viewers of modern-art exhibitions in Japan. Last summer's "Gutai: The Spirit of an Era," a survey of the movement's evolution and its...
Japan Times
CULTURE / Art / WEEK 3
Feb 17, 2013

Art disaster turns out to have a silver lining

A dozen paintings hang from the white walls of a gallery at the Museum of Modern Art in Hayama, Kanagawa Prefecture. Mostly prewar works by artists involved in the Proletarian movement, who focused on depictions of factory and farm laborers, the paintings are like many others on display at the museum...
Japan Times
CULTURE / Art
Jan 31, 2013

Hidden truths laid bare in the details of realism

With a population of around 35 million, Greater Tokyo is the ultimate "modernist" conurbation; a vast megacity, where something as old-fashioned as realist art might seem out-of-date and out-of-place. Maybe so, but on the metropolis' western and eastern extremities stand two museums that, each in their...
Japan Times
CULTURE / Art
Dec 20, 2012

Show of hands for the National Museum of Western Art

Sometimes it seems that hands have a mind of their own. They remember where the keys are on a keyboard and which brushstroke in a Chinese character comes next, without too much conscious input from the brain. The instinctive way they work can also give a lot of art its style.
Japan Times
COMMUNITY / Our Lives
Oct 20, 2012

American artist takes personal approach to traditional painting

Finding places in Tokyo can be complicated. All too often a simple address is not enough. That's why many people here look like treasure hunters roaming the streets armed with a map or its modern equivalent, the smartphone.
Japan Times
JAPAN / IMF-WORLD BANK IN TOKYO
Oct 12, 2012

Exploring, rediscovering fine arts

While much has changed since Japan last hosted the Annual Meetings of the International Monetary Fund and World Bank Group in 1964 — a year that symbolized the nation's achievement of reconstruction after World War II through the hosting of the meeting and the Summer Olympics — art has always reflected,...
Japan Times
CULTURE / Art
Oct 11, 2012

Taking a nostalgic train of thought

Train travel inspires nostalgia. There's no escaping it. It conjures up memories of childhood — playing beside the rail track at the bottom of the garden or with a miniature railway at home. However, politics and societal change have influenced and produced more controversial images of rail travel...
Japan Times
CULTURE / Art
Sep 27, 2012

Tadanori Yokoo prepares to 'move on' in different ways

Tadanori Yokoo, bad boy of the Japanese art scene since the 1960s, is showing nine works, most of which were made within the last couple of years, at Scai The Bathhouse in the Yanaka district of Tokyo. The small exhibition, titled "Destination the Teshima Art House Project" serves to not only showcase...
Japan Times
CULTURE / Art
Sep 13, 2012

Home is always where the heart is

Contemporary artists are a product of a globally minded world. While artists of past ages have had clear goals of making it in London, Paris or New York, artists of the 21st century seek stimulation from any number of locations across the planet. All they need is a passport, a place to stay, and ideally...
Japan Times
CULTURE / Art
Jul 26, 2012

Rembrandt still outshines Vermeer

The first exhibition at the newly renovated Tokyo Metropolitan Museum of Art (TMMA) was always going to be an important one. After a two-year closure to let the builders in, it wouldn't have sufficed to just have a run-of-the-mill exhibition. Something special was required, and with "Masterpieces from...
Japan Times
CULTURE / Art
Jun 14, 2012

Max Ernst: The artist who raised eyebrows with 'pictorial' texture

Despite several major exhibitions of his work that have been held in Japan since the 1970s, Max Ernst is still widely considered here to be one of the most difficult and obscure of the Surrealists. Constantly exploring new ideas, methods and materials, his art is perhaps less instantly recognizable than...
Japan Times
CULTURE / Art
Apr 5, 2012

Ceramics as a blossoming form of art

In 1981, Etsuko Tashima (b.1959) completed the postgraduate ceramic course of Osaka University of Arts, where she is now professor. Her graduation work, "Censored" (1981), was a series of legs cast from her own body and arranged so that they appeared to grow out of the ground. Attaching breasts to cups...
Japan Times
MULTIMEDIA
Dec 15, 2011

Painting a picture of Yumeji Takehisa

A persistent and lingering myth is that Yumeji Takehisa (1884-1934), who forwent conventional art training at a sanctioned institution and earned widespread popular appeal for all the things the arts were supposedly not, was unimportant to the fine arts.
Japan Times
COMMUNITY
Nov 5, 2011

Hokkaido roots spur woman to bring folk tales to masses

For Deborah Davidson, Hokkaido is not only home, it is a door to other worlds. As a child, she played with Ainu children and watched them care for the frolicking cubs of the "iomante" (bear ceremony). As a translator, she now focuses on bringing Ainu folk tales to an English-speaking audience.
Japan Times
CULTURE / Art
Jun 30, 2011

The enduring reputation of Shigeru Aoki's brief career

Shigeru Aoki's short life was "beset by all manner of bad luck, and he passed through it like a shooting star" wrote Hanijiro Sakamoto (1882-1969), one of the giants of post-WWII Western-style painting. Shigeru (1882-1911) was only 28 when he passed away, and his active period as a painter was all the...
Japan Times
CULTURE / Art
May 26, 2011

Knowing Sharaku's art without knowing the artist

One of Japan's greatest mysteries is the true identity of the ukiyo-e (woodblock print) artist Toshusai Sharaku, whose entire career was crammed into a 10-month period from 1794 to 1795, during which he produced 145 separate print sheets.
COMMENTARY / World
Apr 16, 2011

The enemies of a digital universal library

Scholars have long dreamed of a universal library containing everything that has ever been written. Then, in 2004, Google announced that it would begin digitally scanning all the books held by five major research libraries. Suddenly, the library of utopia seemed within reach.
Japan Times
CULTURE / Art
Feb 25, 2011

The high altitudes of airplane aesthetics

Aeronautical science has always been a hotbed of innovative technology. Changes in human society, such as improved global networking and an increase in travelers has meant that aircraft design has always been dynamic, improving to meet passengers' military and others' expectations and demands.
Japan Times
CULTURE / Art
Feb 18, 2011

Japan's celebrated Edo Period painters: Having the good fortune to see all that is Gitter's

The first time I met renowned Japanese art collector Dr. Kurt Gitter was at an Asian art conference in New York in 2001, where he was on a discussion panel on Japanese art. An audience member asked Gitter, "Sir, since you and others have passionately collected antique Japanese works for decades and since...

Longform

Tetsuzo Shiraishi, speaking at The Center of the Tokyo Raids and War Damage, uses a thermos to explain how he experienced the U.S. firebombing of March 1945, when he was just 7 years old.
From ashes to high-rises: A survivor’s account of Tokyo’s postwar past