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Mariko Kawaguchi
For Mariko Kawaguchi's latest contributions to The Japan Times, see below:
CULTURE / Art
Oct 3, 2001
Mexico's 'cosmic' cornucopia
What is "ultrabaroque?"
CULTURE / Art
Sep 19, 2001
Down and about in New York, Tokyo
The 8 x 10 monochrome prints on show at Tokyo's UNAC Salon are hardly eye-poppers, overt only in the sharp, downward angles which drag your eyes to the ground.
CULTURE / Art
Jul 22, 2000
Frozen moments of photographers' lives
They might have been shot in a shadowy New York street in the '30s, at a Parisian cafe in the '50s, or in the middle of a Vietnamese battlefield in the '60s . . . The settings and contexts of the 260 photographs currently on display at "The Century of Photography Exhibition" at Ginza's Matsuya department store obviously diverge, but they come together in their ineffable impressions.
CULTURE / Art
Jun 24, 2000
Glimpses of global tragedies on a long and winding road
A nameless road continues on for thousands of miles under thousands of different skies, wending its way through thousands of different landscapes. Along either side anonymous towns and cities flow by with regularity, like scenes in a photography album sorted by a methodical traveler.
CULTURE / Art
Mar 20, 1999
Japanese custodians of French 'Liberty'
On the occasion of French President Jacques Chirac's visit to Japan in 1996, an exchange of national treasures was agreed upon for the 1998-1999 "Year of France in Japan." Following this agreement, Kudara Kannon, a 7th-century 2-meter wooden bodhisattva from Nara's Horyuji Temple, was sent to France in 1997 for a one-month exhibition at the Louvre Museum. After considering the Greek marble "Victoire (The Winged Victory)" from Samothrace, and the 19th-century Romantic masterpiece 'La Liberte guidant le peuple (Liberty Guiding the People)," France finally decided on the latter to be sent to Japan in reciprocation.
CULTURE / Art
Feb 20, 1999
Exposing the illusion of appearance
Photographer Duane Michals was born into an odd sort of duality in 1932. He was raised in McKeesport, Penn., by devoutly Catholic parents of Czech origin (much like Andy Warhol, whom he would later depict in a series of blurred portraits). Michals' mother, worked as a housekeeper for a rich family, and gave her son the same name as her employer's son. The sensitive child was strongly intrigued by the presence of "the original Duane," but was never able to meet him; the employer's son committed suicide at a young age.

Longform

Historically, kabuki was considered the entertainment of the merchant and peasant classes, a far cry from how it is regarded today.
For Japan's oldest kabuki theater, the show must go on