Tag - tokyo-opera-city

 
 

TOKYO OPERA CITY

Japan Times
CULTURE / Art
Apr 1, 2020
Japan’s art institutions struggle to cope with the COVID-19 crisis
Since the quarantine of the Diamond Princess, Japan has gone from being one of the world’s most at-risk countries to lucky outlier, to being again fearful of COVID-19 getting out of control.
Japan Times
CULTURE / Art
Sep 3, 2019
Julian Opie: A fascinating view of the mundane
Julian Opie's schematic reductions of people, animals and landscapes to planes of color may be fun and casual, but it's not just eye-candy — he gets us to see much more than he shows us.
Japan Times
CULTURE / Art
May 22, 2018
Tomoo Gokita: Exposing the underbelly of pop culture
Tomoo Gokita's deformations of his subjects are surrealistic with a precision mix of austere black, white and grays, low-brow culture imagery, kookiness and powerfully evocative draftsmanship.
Japan Times
LIFE / Style & Design
May 28, 2017
When too many things 'spark joy,' it's a Wonderwall life
Masamichi Katayama, founder of interior design firm Wonderwall, describes the importance of accumulating and keeping objects and artworks in life — even if you have more than 500 of them.
Japan Times
CULTURE / Art
Dec 6, 2016
Painting and Weaving Opportunity: Yohji Yamamoto, Yuuka Asakura
Dec. 10-March 12
Japan Times
CULTURE / Art
Jun 7, 2016
Ryan McGinley: youth laid bare
In 1980s America the art scene fawned over the infamous "Brat Pack" group of writers that included Bret Easton Ellis, Jay McInerney, Donna Tartt and Tama Janowitz. They portrayed American (privileged) youth in that decade like it was — with all their nitty gritty drug taking, vodka swilling and New York club excess. In the mid to late '90s a new crew emerged: not writers per se, but photographers and artists, such as the late Dash Snow and photographer Ryan McGinley. Handed the mantle by filmmakers such as Larry Clark and Gus Van Sant, they set about documenting — and kill me for saying this — "the cultural zeitgeist" of that time.
Japan Times
CULTURE / Art
Mar 8, 2016
Fujiwara wants the dirt to stick
White often seems to be used in contemporary art in Japan as a kind of short cut to signify "beauty," "purity" or "spirituality." Simon Fujiwara's show "White Day" at Tokyo Opera City Art Gallery is, as the title suggests, overwhelmingly white, but it's designed not to stay that way.
Japan Times
CULTURE / Art
Nov 10, 2015
Seduced by the Undercover labyrinth
It's undeniable that when designer Jun Takahashi founded Undercover — which celebrates its 25th anniversary with its first retrospective at Tokyo Opera City Art Gallery — he was strongly influenced by the pioneers of deconstruction fashion Rei Kawakubo and Yohji Yamamoto. His first few collections from 1994-99 exhibit the unmistakable muted tones, raw edges and asymmetry that his mentors famously used to eulogize imperfections in the 1980s.
Japan Times
CULTURE / Art
Sep 8, 2015
Pure landscape photography
The exhibition "Stream of Consciousness" at Tokyo Opera City Art Gallery is an extremely successful representation of contemporary Japanese photographic art. It combines some of the salient aspects of Japanese culture with the aesthetically formal, yet emotive imagery that is indicative of what gives photography in Japan its particular flavor.
Japan Times
LIFE / Lifestyle / CHILD'S PLAY
Aug 8, 2015
Let the kids get their hands on art
'No, don't touch!" These are probably the most infuriating words for young children to hear when they are being dragged around an art gallery by their parents.
Japan Times
CULTURE / Art
Jun 16, 2015
Just one collector can make all the difference
When Tokyo Opera City Art Gallery opened "Takahashi Collection: Mirror Neuron," it was packed with people keen to see Ryutaro Takahashi's selection of 140 contemporary artworks by 52 artists. It's only the second major showing of pieces owned by Takahashi, a psychiatrist and one of the most influential art collectors in Japan, who also chose the unusual title of "Mirror Neuron" for this show.
Japan Times
CULTURE / Art
Jan 22, 2014
Hiraki Sawa’s dream world: Worth the pause for thought
Sometimes it can be irritating visiting an exhibition of video-based art. You come in halfway through one of the videos or near the end of another, and you feel that you've missed something and wonder if you should stick around to watch it from the start.
Japan Times
CULTURE / Art
Sep 4, 2013
Japanese collectors take a conceptual turn
Echoing the choice of Koki Tanaka — a conceptual artist — for the Japanese pavilion at the 55th Venice Biennale this year, "Why Not Live For Art? II: 9 collectors reveal their treasures" at Tokyo Opera City Art Gallery suggests that art collecting in Japan has taken a conceptual turn.
Japan Times
CULTURE / Art
Jul 10, 2013
'Why Not Live for Art? II: 9 Collectors Reveal Their Treasures'
First held in 2004, this exhibition is the second by Tokyo Opera City Art Gallery to present works owned by individual collectors. In the past 10 years, art collecting has become more common and the network between collectors has expanded. As the gallery revisits the world of private acquisitions, it also reflects on how art collection has changed.
Japan Times
CULTURE / Art
May 23, 2013
The humor of candid camera
With the advent of the digital camera, mobile phones and social networking, the world is now drowning in photographic imagery. This raises the question: Can photography survive as an art form in a world where it is ubiquitous?
Japan Times
CULTURE / Art / INSIDE ART
Mar 19, 2010
Curator Shihoko Iida reveals lessons learned from stint at foreign museum
Japan's art world is occasionally compared to the Galapagos Islands — and not just because it is inhabited by some curious creatures; sorry, I mean artists.

Longform

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