Family photos in Japan, especially ones taken for formal occasions such as shichi-go-san (seven-five-three) ceremonies, are often as stiffly posed as 19th-century tintypes, with Mom, Dad and Junior never cracking a smile.
When American photographer Bruce Osborn began taking photos of parents and children in 1982 — his first was of an angelically grinning mom and her casually affectionate punk-rocker son — he started a small revolution that continues today, more than three decades later.
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