“Ohayoooo gozaimasu!” I greeted my 22-year-old nephew, Chris, using my foot to nudge him awake on the first morning of his 10-day visit to Japan. “What do you say we walk around Ginza?”
“What’s Ginza?” came the sleepy reply.
“Um, didn’t you bother to read the Lonely Planet guidebook?”
He hadn’t. So then, what do you do with a visitor who expects to be dragged around Tokyo with no idea of what to see? It was a lovely sunny morning, and I figured we should leave Ginza until the evening, when its neon is all aglow, and do the Imperial Palace first. Show him where the shogun strutted, where samurai swaggered and ninjas made themselves unnoticeable.
After charging up a new PASMO card — so much more practical for visitors than trying to decipher the connections on ticket-vending machines — we grabbed our digital cameras and hopped aboard the Tokyo Metro.
My choice for the starting point of the tour was the Hanzomon Gate, about five minutes from Hanzomon Station.
We crossed Uchibori Dori and began descending the hill, walking eastward alongside the inner moat (which is what uchibori means) and its massive earthworks. On the other side of the street we could see the National Theater and the Supreme Court.
At the bottom of the hill, we arrived outside the huge Sakuradamon Gate. Immediately across the street are the headquarters of the Tokyo Metropolitan Police Department and, on the opposite side of Roppongi Dori, the former Ministry of Justice. Designed by two German architects, it was completed in 1895 and currently houses a research institute, library and museum.
Sakuradamon is photogenic, but there’s much, much more to come. Walk through Sakuradamon’s massive old hinged doors and bear to your left, and you’ll find yourself at the vast open plaza in front of two parallel bridges, referred to collectively as Nijubashi (double bridge).
The older bridge in the foreground, the Seimon Ishibashi (stone bridge), has been nicknamed Meganebashi (eyeglass bridge) because its two arches give it the appearance of pair of old-fashioned spectacles; the newer bridge behind it is the Seimon Tetsubashi (iron bridge).
The tower on the right, above the iron bridge, is the Fushimi Yagura. We just fell in step with the tourists, walked right up to the moat and snapped away to our hearts’ content.
The Ishibashi is used as the entrance to the palace on the two public holidays — Dec. 23 (the Emperor’s birthday) and Jan. 2, when the palace is open to the general public. Like climbing Mount Fuji at least once, it’s something every Japanophile ought to experience.
Walking northward through the huge plaza, past the Sakashitamon and Kikyomon gates and the Tatsumi Yagura tower, eventually takes you to the Otemon gate, which is one of three points of entry to the Kokyo Higashi Gyoen — East Gardens of the Imperial Palace.
The gardens — which were part of the palace grounds until they were opened to the public in 1968 — can be entered five days a week, and admittance is free. Upon entering, you will be handed a rectangular plastic chit which, in keeping with the strict security, must be returned to the guards upon exiting, either from the same gate or via either of two gates on the other side of the garden.
Once past the police checkpoint, you’ll pass a rest house on the right that distributes free maps and sells postcards and various souvenirs. Just beyond is a small guard shack (on the right) and larger barracks (on the left) where samurai troops were once posted.
Security, as far as Japan’s rulers were concerned, began at home, with concentric moats plus a series of gates and inner walls, purposely designed with sharp switchbacks to confuse intruders and create bottlenecks that would prevent large numbers of attackers from converging on a single point.
The ramp at Shiomizaka, above a section of the inner moat called Hakuchobori (swan moat), takes you right through the upper walls, and at last you get a detailed perspective of their enormity.
Follow the path along to your right and you’ll see two modern buildings used for classical-music performances, including the Gakubu and Tokagakudo. You then come to a huge open area about the length of two football fields. This was the site of the Honmaru Goten (castle and palace) where the shogun lived and conducted the affairs of state. The buildings were completely destroyed by fire in 1873 and practically nothing remains except the stone foundation of the tenshudai (donjon or fortress) on the north side — the five-story, 51-meter-high tower burned down in the Great Fire of Meireki in 1657 and was never rebuilt.
The short climb to the top of the foundation gives you a panoramic view of the Honmaru area, and the Otemachi and Marunouchi business districts beyond.
After descending, follow the trail for about 80 meters on the right. It leads to a small stone monument and bilingual display panel that mark the Matsu-no-Oroka, one of the most famous spots in Japanese history. This is said to be the actual spot in the palace corridor where, on April 21, 1701, Lord Asano Naganori of Ako Province lost his cool and slashed Lord Kira Yoshinaka, a powerful official, with his dagger.
For this lapse of protocol, Asano was ordered to commit ritual suicide, precipitating in the famous vendetta against Kira on Dec. 14, 1702, by Asano’s 47 loyal retainers (aka the 47 ronin), an act they knew they would pay for with their lives.
Time permitting, I suggest exiting the park at the Kitahanebashi or Hirakawa Gates and walking (or taking the subway from Takebashi Station) to the nearby Yasukuni Shrine, which sits astride Yasukuni Dori and is immediately recognizable by its 22-meter-high torii gate of gray metal (Japan’s largest), beyond which is an promenade lined with ginko and cherry trees.
The controversy surrounding the shrine and its interpretation of history should not be misconstrued as an intention to discourage foreign visitors. The shrine’s English Web site reads: “Today, many people visit Yasukuni Shrine regardless to their religion, thought and nationalities. This fact tells that the shrine is a place to show respect to those who died to protect their mother country and that the shrine has public nature.”
Just north of the main shrine building is a huge war museum called the Yusyukan (Chronology of Modern Japanese Military History), originally erected in 1882. Paying the museum’s ¥800 entrance fee I decided to take in the exhibits with an open mind and let the artifacts speak for themselves.
Many, but not all of the Yusyukan’s displays feature panels with accurately rendered English translations of the Japanese content. While other parts of the museum offer complete and accurate English translations, I would have liked to have seen English panels for the bloodstained scroll penned by War Minister Gen. Korechika Anami, and the sword used by Vice Adm. Takijiro Onishi, both of whom committed suicide on Aug. 15, 1945.
While photography is not permitted inside Yusyukan, snaps can be taken of the restored Mitsubishi Zero fighter in the foyer. Also on the first floor is a small restaurant and gift shop with books, DVDs and various souvenirs related to the Japanese military, past and present.
After our lengthy walk, Chris and I could not muster the energy to investigate Ginza, so, resting our sore feet back at home, we enjoyed swapping the hundreds of photos we’d each snapped, and I came away with the feeling that after taking in Tokyo’s midsection, my guest had already decided the long trans-Pacific flight had been well worth the effort.
Getting there: To Sakuradamon/Nijubashi, take the Yurakucho Line. The Otemon entrance to the East Garden can be reached on foot from JR Tokyo Station or one of the five subway lines (Marunouchi, Tozai, Hanzomon, Mita, Chiyoda) serving Otemachi. The East Gardens are closed on Mondays and Fridays. Hours are 9:00 a.m. to 5:00 p.m until the end of August. Yasukuni Shrine can be reached from JR Ichigaya Station or Kudanshita on the Tozai or Hanzomon Lines. The Imperial Household Agency, East Gardens of Imperial Palace, Yasukuni Shrine, Yusyukan
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