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If only every piece of video art started with the line: “Here I am lying next to my lover Jean, in intensive care.”

While a considerable amount of video art shown at exhibitions elicits little more from viewers than blank expressions, bored shifts in shoes and plain old yawns, a line of narration like that which throws out the prospects of intrigue and debauchery would rivet them to the spot. Who wouldn’t want to know what Jean and his lover had been up to?

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