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Suzannah Tartan
For Suzannah Tartan's latest contributions to The Japan Times, see below:
CULTURE / Music
Jun 4, 1999
An audience with the Tokyo culture king
Moichi Kuwahara's office occupies a crumbing apartment building in Tokyo's Yutenji district. The warren of small rooms resembles an art squat -- packed full of editors, graphic designers, writers and other creative types who provide the artistic fodder for Club King, a company whose products, magazines, radio and television programs are perhaps best described as cultural goods.
CULTURE / Music / PLAY BUTTON
May 28, 1999
A rebel yell from the Northwest
Whether it's the rainy weather or beautiful scenery, there is something about Washington state that has made it one of the most fertile places for independent music. Though Seattle may have a higher profile, indie labels are as numerous as nose piercings (and that means plenty) in the state capital Olympia, and the granddaddy of them all is Calvin Johnson's K Records.
CULTURE / Music / PLAY BUTTON
May 14, 1999
U.F.O. travels the globe in style
With their natty suits and sleek musical grooves that fuse jazzy samples with dance beats, U.F.O. has epitomized a certain perception of Tokyo as fashionable and cosmopolitan, ever since "I Love My Baby (My Baby Loves Jazz)" catapulted across the world's dance floors in 1991.
CULTURE / Music / PLAY BUTTON
Apr 30, 1999
Buffalo Daughter reinvents new rock again
After more than a year of touring, remixing, producing and more touring, Buffalo Daughter has returned home to the more mundane matters of daily life. Bassist and Moog player extraordinaire Yumiko Ohno recently tied the knot with longtime paramour Zak (producer of the Fishmans among others) while DJ Moog Yamamoto's young son took his first step up the educational ladder and began nursery school. Guitarist Sugar bought a bicycle.
CULTURE / Music / PLAY BUTTON
Apr 16, 1999
Trends are a no-show at U.S. music fest
If there was any next big thing at this year's annual South by Southwest music confab of the musically hip and happening, it was that there is no next big thing. In a festival that featured everything from soca to singer-songwriters, it was individual artists rather than any one all encompassing trend that grabbed the limelight.
CULTURE / Music / PLAY BUTTON
Apr 2, 1999
Sonic adventures in mixed media
Samm Bennett's ideal record store would be organized alphabetically, each floor dedicated to a segment of the alphabet rather than a particular musical genre. This would be perhaps the only way of finding all of his work in the same place.
CULTURE / Music / PLAY BUTTON
Mar 19, 1999
Journey to the center of Cornelius
Some trips involve buses and airplanes, others need chemical assistance. Some trips, however, require only a stereo. Keigo Oyamada, a k a Cornelius, is an expert choreographer of the latter form of travel. His last record, "Fantasma," catapulted listeners through an orange-colored psychedelic wonderland where Beethoven and the Clash contributed to a natural sort of high.
CULTURE / Music / PLAY BUTTON
Mar 4, 1999
Zeni Geva's earthly angst gives way to cosmic vibes
Somewhere between the metal aggression of Black Sabbath and the guitar grind of the Swans, Zeni Geva was the rock equivalent of opera, a full-throttle exploration of the emotional spectrum's dark side. Long hair flying and vocals growling, guitarist and vocalist Kazuyuki Ishino, a k a K.K. Null, channeled the group's heavy energy into performances that were dynamic and brutally physical. For many people, though they were also intimidating.

Longform

When trying to trace your lineage in Japan, the "koseki" is the most important form of document you'll encounter.
Climbing the branches of a Japanese family tree