Tag - ryo

 
 

RYO

Japan Times
CULTURE / Film
Nov 11, 2015
Ryosuke Hashiguchi's inspired drama about love and loss
Watching recent Japanese films, I often have the feeling that their makers need an imagination injection, or simply need to get out more. It's not just that few, especially at the commercial end of the spectrum, work from original scripts. Plenty of great movies are adapted from other media.
BASEBALL / Japanese Baseball
Oct 13, 2015
Strong bullpen helped transform Swallows into title contenders
If you don't get to the Tokyo Yakult Swallows early, you might not get to the Birds at all.
OLYMPICS / NOTES ON A SCORECARD
Aug 4, 2015
Problems continue to mount for Tokyo 2020 team
Last week was another tough one for the folks at Tokyo 2020.
Japan Times
CULTURE / Film
Jun 24, 2015
Slowing a spiral of negativity in Mipo Oh's 'Being Good'
When I was a student teacher at an elementary school in Livonia, Michigan, I saw some things that shocked me. Once I watched a male teacher grabbing a disruptive fourth-grader by the neck and forcing his head toward the floor, while pouring out a stream of sarcastic abuse upon him.
Japan Times
CULTURE / Film
Dec 17, 2014
Hill of Freedom: 'Looking for lost love in a Seoul back alley'
Speaking in another language makes you a different person, especially, I've noticed, if you happen to be a non-native fluent in Japanese. The mild-mannered Aussie transforms into a slangy tough-guy, rolling his r's and living in his own mental version of a yakuza movie. And the frank-talking American...
Japan Times
CULTURE / Film
Aug 13, 2014
The long, bone-chilling gaze of new director Ayumi Sakamoto
Directors have various ways of communicating in interviews — beyond the usual talking points, that is. Koji Fukada drew me geometrical diagrams to explain the intertwining relationships in his coming-of-age drama "Hotori no Sakuko (Au Revoir l'Ete)." Studio Ghibli producer Toshio Suzuki sketched me...
Japan Times
CULTURE / Film
Aug 13, 2014
Female anxiety shot from every angle
The Japanese film industry used to be like much of the rest of Japanese society: male-centered and male-run. It made plenty of movies about women and for women, but their directors were all men. That began to change when Naomi Kawase won a Cannes Camera d'Or prize in 1997 for her first feature, "Moe...

Longform

Sumadori Bar on Shibuya Ward's main Center Gai street targets young customers who prefer low-alcohol drinks or abstain altogether.
Rethinking that second drink: Japan’s Gen Z gets ‘sober curious’