Robert Yellin - The Japan Times

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Robert Yellin

For Robert Yellin's latest contributions to The Japan Times, see below:

CULTURE / Art

Mar 11, 2000

Scorched in the fires of Iga

The influence on contemporary Japanese pottery from medieval kilns is still profound and deep, even though we have one foot into the 21st century. These high-fired unglazed stonewares can be found in potting centers commonly referred to as the Six Old Kilns (rokkoyo) -- the only problem is that this term is out of date and in a sense not true. At least 77 other ancient kiln sites belonging to the Sue tradition (5th-12th centuries) have been discovered, leaving the "six old kiln" theory in the shard pile.

CULTURE / Art

Feb 26, 2000

Fair and flea market pot-hunting

"How can I learn more about Japanese pottery?" is a question I'm often asked. The answer is simple: Get out and see as much as you can.

CULTURE / Art

Feb 12, 2000

Simple beauty from unknown craftsmen

Dotted throughout Japan are the potting centers of the common people, makers of wholesome, durable and utilitarian pots. In contrast with tea ceremony utensils and porcelain which were reserved for nobility, the wealthy or export, these folk kilns made zakki or ordinary crockery that met the needs of the populace during the Edo Period and Meiji Era.

CULTURE / Art

Jan 22, 2000

Veteran of Hagi continues rediscovery

Most of the great potters who rediscovered and revived old potting styles in the early to mid years of the 20th century have passed on into the great kiln in the sky. Yet there is one legend who is still potting: Hagi ceramist Kyusetsu Miwa XI.

CULTURE / Art

Jan 8, 2000

Ceramic greats spotlighted

New Year's Greetings to all Ceramic Scene readers! In Japan there are innumerable artistic groups that allow their members to exchange ideas or research, sponsor lectures or workshops and to acknowledge outstanding work in their respective fields. The Japan Ceramic Society (Nihon Toji Kyokai) is one such group, of which I am privileged to be a member. It has many branches throughout Japan that host monthly meetings where members, whether potters or collectors, share their passion and knowledge with one another.

CULTURE / Art / CERAMIC SCENE

Nov 27, 1999

The potter who set the scene on fire

In a brief span of time a few decades ago, one Japanese potter set the ceramic scene on fire, and as quickly as a brilliant meteor shooting across a night sky, disappeared. Yet his name and influence still circle the wheel that spins in most potters' studios; his immense impact on contemporary ceramics has yet to, and will likely never, be extinguished.

CULTURE / Art / CERAMIC SCENE

Nov 13, 1999

Giving away an old secret favorite

I'm not so sure that I want to tell you about this wonderful Mino potter who's having an exhibition in Tokyo next week. It's like spreading the word about your favorite restaurant, and you can never seem to get a reservation thereafter.

CULTURE / Art / CERAMIC SCENE

Oct 9, 1999

Different stokes for Iowan folks

I never thought my interest in Japanese pottery would lead me to Iowa.

CULTURE / Art / CERAMIC SCENE

Aug 28, 1999

Fall's ceramic finds fire up auction

The summer drought of pottery exhibitions is slowly ending and the wonderful autumn season, so full of good exhibitions, is about to start. Come September, exhibitions too numerous to list will fill gallery spaces throughout Japan and pottery enthusiasts will have their hands full -- with a few good pots, I hope.

CULTURE / Art / CERAMIC SCENE

Aug 14, 1999

More than a humble piece of clay

Japan is a ceramic paradise, plain and simple.

CULTURE / Art / CERAMIC SCENE

Jul 24, 1999

New and old blended in earthy harmony

One of the greatest challenges facing any Japanese artist is to mix tradition with meaningful innovation. Many artisans merely imitate the past with little originality -- a rehashing of past masters that leaves many of Japan's great artistic traditions in stagnation.

CULTURE / Art / CERAMIC SCENE

Jun 12, 1999

Legacies live on in kingdom of Kato

In many ceramic centers around Japan a common thread in the community is not only a particular style but also a last name. For instance, if you walked into the middle of Tachikui, where Tanba is made, and shouted "Ichino-san!" almost all the houses would empty.

CULTURE / Art / CERAMIC SCENE

May 8, 1999

Kawai exhibit shows grace under fire

The term mingei (folk art) was coined by Soetsu Yanagi in 1926 to refer to common crafts that had been brushed aside and overlooked by the industrial revolution.

CULTURE / Art / CERAMIC SCENE

Apr 10, 1999

A keen ear for the voice of the clay

Japanese ceramists often talk of the materials they use as having spirits and souls. A kiln, for instance, has its own kami, and the clay has a voice that if listened to carefully will reveal a shape that has lain dormant for centuries.

CULTURE / Art / CERAMIC SCENE

Mar 13, 1999

Eclectic pottery expands margins

Jun Kawaguchi is one of the funkiest, coolest ceramic artists I've ever met. The first time I met him I was taken aback, to say the least, by his short, spiked hair, green velvet jacket, and a pair of slacks with cartoon designs that looked like the Joker -- not your typical shibui Japanese potter.

From easily navigable train stations to the helpfulness of its municipal staff, Tokyo has earned high praise for its commitment to accessibility for disabled travelers.

[Rebroadcast] Japan is doing better on accessibility than you may think

When trying to trace your lineage in Japan, the "koseki" is the most important form of document you'll encounter.

Climbing the branches of a Japanese family tree

By Alex K.T. Martin

SUSTAINABLE JAPAN

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