Nobuko Tanaka - The Japan Times

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Nobuko Tanaka

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Nobuko Tanaka

Nobuko Tanaka is a stage writer who has regularly contributed contemporary theater and dance articles to The Japan Times since 2001. She also writes for several Japanese and overseas magazines and web sites. As a promoter, she takes Japanese artists to foreign theater festivals.

For Nobuko Tanaka's latest contributions to The Japan Times, see below:

Japan Times

CULTURE / Stage

Jul 3, 2002

A play that's as Japanese as . . . cherry pie

Following "The Seagull," "The Sneeze," "Three Sisters" and "Uncle Vanya," "The Cherry Orchard" is the final play in a series titled "Chekhov: The Work of the Soul" staged by the New National Theatre, Tokyo.

Japan Times

CULTURE / Stage

Jun 19, 2002

Master of all but his destiny

No dozing in the dark for members of the audience at Yukio Ninagawa's new production of "Oedipus Rex," because the director has assigned us a role, too -- the public gallery of this artistic Theban court.

Japan Times

CULTURE / Stage

Jun 5, 2002

. . . but soccer hosts are a dream team on stage

As in soccer, so on stage. Japan-Korea collaboration (or is it Korea-Japan collaboration?) is happening all over.

Japan Times

CULTURE / Stage

May 29, 2002

Star's role derails Streetcar classic

Demons inhabit the live-performance stage. Nobody can judge the success of a production until after the curtain has risen and fallen. This is what gives drama -- and musical and dance performances -- their peculiar zest. And when the director of a production is a titan of the international theater world, expectations run especially high.

Japan Times

CULTURE / Stage

May 22, 2002

The goodness of small things

The stage of "Masurca Fogo" represents choreographer Pina Bausch's aesthetic world. And what a wide world it is: The 22 dancers are drawn from far and wide, and the music ranges from Brazilian samba and Portuguese fado, to k.d. lang and Duke Ellington.

Japan Times

CULTURE / Stage

May 8, 2002

Remembering times passed

Outside it was a cold and rainy spring day in Tokyo's residential Bunkyo-ku. Inside the 300-seater Sanbyakunin Gekijo theater, though, excitement filled the air as people milled around trying to get hold of standby tickets for Gekidan Subaru's latest production, "Philip's Reason."

Japan Times

CULTURE / Stage

Apr 17, 2002

Choreographer dances to a different tune

Choreographer Matthew Bourne, leader of his London-based Adventures in Motion Pictures company, shot to fame when his gay version of "Swan Lake" took the West End and Broadway by storm after being premiered at London's Sadler's Wells theater in 1995.

Japan Times

CULTURE / Stage

Apr 10, 2002

Total eclipse of the art

In a residential area close to the bright lights and buzz of Shibuya, a fascinating theatrical experiment is taking place at the Agora Theater in Tokyo.

Japan Times

CULTURE / Stage

Apr 3, 2002

Dance artist of his floating world

As a principal dancer with the Royal Ballet from 1993 to 1998, Tetsuya Kumakawa was a sensation on stage at Covent Garden. London's discerning audiences thrilled to the incomparable ability of this boyish young man, just 21 when he became the first Japanese male dancer to take center stage with the company. A natural showman in the spotlight, the sheer height of Kumakawa's jumps, his astonishingly elegant athleticism and lightness of foot brought the house down night after night, no matter which other world-class dancers were also performing.

Japan Times

CULTURE / Stage

Mar 27, 2002

Humans' distance laid bare in two close-ups on 'intimacy'

Theater Project Tokyo's current, compelling double bill, "TPT Futures 2002," grapples head-on with how, as time and circumstances change, people deal with the eternally fraught business of maintaining or severing their intimate ties with others.

CULTURE / Stage

Mar 13, 2002

Forsooth, 'tis surely no great Shakes

"Shakespeare shakes you. The spear of his imagination shakes you, and the story shakes you," said Mark Rylance, artistic director of Shakespeare's Globe Theatre in London, in an interview for The Japan Times last October.

Japan Times

CULTURE / Stage

Mar 6, 2002

Comedy that doesn't always translate

After decades of playing Shakespeare "straight," Japanese directors and actors are now taking stagings of his works to a different level. A move away from pure "translation drama" toward an approach rooted in Japanese experience has been the exciting hallmark of productions such as Hideki Noda's "Much Ado About Nothing" and "A Midsummer-Night's Dream," and Mansai Nomura's kyogen version of "The Comedy of Errors."

Japan Times

CULTURE / Stage

Feb 13, 2002

Romance at the edge of reason

"I always believed it was taboo to portray madness on stage, and I never dared to do it before," Hideki Noda writes in the program notes to "Urikotoba (Fighting talk/Words for sale)," his latest enterprise as writer/director, now playing at Spiral Hall in Tokyo's Aoyama district.

Japan Times

CULTURE / Stage

Jan 30, 2002

On the outside, but looking in

The Agora Theater is tucked away near Komaba Todaimae Station, just five minutes from the hurly-burly of Shibuya. It was here that I saw "Boken Oh (Kings of the Road)" performed by Seinen Dan, a youth theater-group led by Oriza Hirata, 39, who wrote and directed the play.

Japan Times

CULTURE / Stage

Jan 16, 2002

A humorous view of history from the other side of the lens

At last, I got to see a play by Koki Mitani, whose comedy dramas are just about the most difficult to get tickets for nowadays. This is not only because of the critical ovations that greet his productions, but also because of the star status of Mitani himself.

Japan Times

CULTURE / Stage

Jan 9, 2002

Tokyo Kandenchi putting a little spark back into the Bard

For my first theater outing of 2002, I went to see "A Midsummer-Night's Dream" by Tokyo Kandenchi (Tokyo Dry Battery). In this -- their 25th anniversary performance, but their first-ever brush with the Bard of Avon -- the company made no pretense of striving to scale great literary heights, but instead came up with a funky, fun version of the classic comedy to celebrate both their own birthday and the New Year.

Japan Times

CULTURE / Stage

Dec 12, 2001

Going full circle for sex and romance

Love is in the air at the Benisan Pit theater in Tokyo's Koto Ward. There, downtown by the Sumida River, Theatre Project Tokyo is staging its latest production, "The Blue Room," based on Viennese playwright Arthur Schnitzler's "Reigen."

Japan Times

CULTURE / Stage

Dec 12, 2001

Celebrating 'doing the rounds'

David Leveaux, the English director of "The Blue Room," has been working regularly in Japan since 1993. In these highlights from a lengthy discussion last week, TPT's artistic director speaks about his work here, Japanese audiences . . . and the message of "The Blue Room."

Japan Times

CULTURE / Music

Dec 5, 2001

Hot rock for Genghis Khan

"I want to create a wadaiko dance collaboration with Michael Jackson."

Japan Times

CULTURE / Stage

Nov 14, 2001

Revitalized kyogen to a crossroads

With the new century, it seems that the world of traditional Japanese theater has taken a long, hard look at itself and is seeking new means of expression.

From easily navigable train stations to the helpfulness of its municipal staff, Tokyo has earned high praise for its commitment to accessibility for disabled travelers.

[Rebroadcast] Japan is doing better on accessibility than you may think

When trying to trace your lineage in Japan, the "koseki" is the most important form of document you'll encounter.

Climbing the branches of a Japanese family tree

By Alex K.T. Martin

SUSTAINABLE JAPAN

Leading Japan’s sustainability from Tokyo

Leading Japan’s sustainability from Tokyo

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