Nobuko Tanaka - The Japan Times

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Nobuko Tanaka

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Nobuko Tanaka

Nobuko Tanaka is a stage writer who has regularly contributed contemporary theater and dance articles to The Japan Times since 2001. She also writes for several Japanese and overseas magazines and web sites. As a promoter, she takes Japanese artists to foreign theater festivals.

For Nobuko Tanaka's latest contributions to The Japan Times, see below:

Japan Times

CULTURE / Stage

Apr 2, 2003

Thrilling theatrical polygamy

For American drama fans, the ultimate contemporary theater experience would be to have seen a Tennessee Williams play directed by the author; for Europeans, it would be to have caught a Samuel Beckett drama staged by the playwright. For Japanese theatergoers, the equivalent would be to have seen a Shuji Terayama play produced by his theater company, Tenjosajiki. This is because, before his untimely death from cirrhosis at age 47 in 1983, Terayama single-handedly revolutionized Japanese contemporary drama. He brought to the stage a completely new dimension of ideas that qualifies him to take a place among the world's theatrical greats.

Japan Times

CULTURE / Stage

Mar 19, 2003

The conductor, his wife, her lover

A recent survey by Theater Guide magazine put Koki Mitani ahead of even Shakespeare as the dramatist best known in Japan.

Japan Times

CULTURE / Stage

Mar 12, 2003

Flock to see these birds of a feather

At last, the curtain rose on Matthew Bourne's "Swan Lake" here in Japan on Feb. 25, eight years after the production premiered at the famed Sadler's Wells Theatre in North London. The show was a sensation from the moment it opened, quickly transferring to London's West End, then crossing over to New York where it fascinated Broadway audiences and garnered Tony Awards for best director and best choreography for Bourne.

Japan Times

CULTURE / Stage

Feb 26, 2003

Theatrical history in the making

This production is the stuff of theater history: Don't miss it. That, essentially, is all that needs to be said about the miraculous new staging of "Pericles" by Yukio Ninagawa.

Japan Times

CULTURE / Stage

Feb 12, 2003

Starting all over again

Gowasan means "call off," "start again," or "bankruptcy." The term is originally derived from abacus calculation, where it refers to the shaking of the abacus to return all beads to their starting point after completing a calculation.

Japan Times

CULTURE / Stage

Jan 22, 2003

This 'Pilgrim' is hardly progress

After the bubble economy burst in 1991, disillusionment and emptiness were felt throughout Japan. When "Pilgrim" was first performed in 1989 by The Third Stage Theater Company, however, most people foresaw only continuing prosperity, fueled by rising stock and property prices and the strengthening yen.

Japan Times

CULTURE / Stage

Jan 15, 2003

Theater greats raise curtain on the new year

Have you made your first visit of the new year to the theater yet? If not, "Umi yorimo nagai yoru (The Night Longer than the Sea)," being staged by Seinendan at Theater Tram in Sangenjaya, will surely whet your appetite for what promises to be a lively and exciting year on the Tokyo drama scene.

Japan Times

COMMUNITY / CLOSE-UP

Jan 5, 2003

All the world's this scion's stage

Despite a daunting work schedule, and the added demands of this holiday season, Mansai Nomura made it -- albeit sleepy faced, but at the appointed hour -- to this interview in the coffee lounge of the Waseda Rihga Royal Hotel in Tokyo.

Japan Times

CULTURE / Stage

Jan 1, 2003

Ackerman and tpt bend theater's rules

Whether a person becomes a theatergoer often depends on a crucial encounter with this dramatic art form -- and a play that just opened at the Benisan Pit in Tokyo's Sumida Ward is indubitably the stuff that makes theatergoers.

Japan Times

CULTURE / Stage

Dec 18, 2002

'Red Demon' to claim British souls

Acclaimed in Japan for the last quarter of a century as a drama director, writer and actor, Hideki Noda is set to become a major player on the world stage from Jan. 31, when his "Red Demon" opens for a near-monthlong run at the famed Young Vic in London's West End.

Japan Times

CULTURE / Stage

Nov 20, 2002

The dangerous art of living quietly

Oriza Hirata's 1995 Kishida Drama Award-winning "Tokyo Notes" opened in Japan for the first time in four years Sunday, after touring overseas to critical acclaim. Now being staged at the Museum of Contemporary Art in downtown Kinshicho by Seinendan, the company Hirata founded in 1983, this portrait of Japanese life seen through encounters in an art gallery seating area could hardly have a more magnificent or appropriate "theater" to play in.

Japan Times

CULTURE / Stage

Nov 6, 2002

Blanche the tormented focus of a fractured world

In this production of "A Streetcar Named Desire," the classic Tennessee Williams drama of human relationships, gone are all the hues and shades of human relationships bar one -- the relationship of its "heroine," Blanche DuBois, to the fragmented and fragmenting world she inhabits. As staged by director Satoshi Miyagi and the Ku Na'uka (Towards Science) Theatre Company he founded in 1990, all the other characters are mere ciphers in Blanche's unresolvable, unending daily drama of the conflict between her need for security, however confining, and her lust for life.

Japan Times

CULTURE / Stage

Oct 23, 2002

Take a flight of the imagination to the far side

Life in Tokyo is busy and routine, and it often seems that the chances of having a truly "new" experience become fewer as we get older. Similarly with the stage. If you've assiduously been going to the theater for more than 20 years, the freshness of the experience tends to fade. Regrettably, it is often all too easy to categorize productions into certain patterns -- and it becomes increasingly unlikely that you will encounter one that is not only exciting but also truly original.

Japan Times

CULTURE / Stage

Oct 17, 2002

'Tis a pity she's the leading actress

Contemporary theater in Japan existed as something akin to an underground cult in the 1960s and '70s. In the '80s, with bubble money swilling around everywhere, many of these youthful, looselyknit groups came in from the cultural margins and formed theater companies. Led by experimental directors such as Hideki Noda (of company Yumeno Yuminsha) and Shoji Kokami (The Third Stage), this shift blossomed into the vibrant shogekijo (small-scale theater) movement in which many new talents flourished. Slowly but surely, contemporary theater took its place in Japan's general artistic culture.

Japan Times

CULTURE / Stage

Sep 18, 2002

Winner loses all in the games people play

Two eagerly anticipated German-directed productions of Shakespeare arrived in Tokyo last week, each the product of its director's extensive experience and deep deliberation on the play's contemporary relevance, and each given a polished reinterpretation as a result.

CULTURE / Stage

Sep 11, 2002

Odd couples double up for twice the laughs (and tears)

In the 1960s, when I was a child, I imagined life in the far-away West through American movies and from watching TV series like "The Lucy Show" ("I Love Lucy") and "Father Knows Best." Back then, Japan's economy had begun to pick up steam, and through comedy series such as these, people visualized a lifestyle they longed for, complete with a huge fridge stocked with Coke and a living room with sofa and TV. Then, in 1968, along came "The Odd Couple," a movie starring Walter Matthau and Jack Lemmon, that appeared to perfectly portray this feel-good America.

Japan Times

CULTURE / Stage

Aug 28, 2002

Ninagawa gives his best -- all over again

People always comment on Shakespeare's incredible productivity, but director Yukio Ninagawa surely deserves to be right up there with him -- at least in terms of hard work.

Japan Times

CULTURE / Stage

Aug 21, 2002

Universal comedy without errors

Hold on to your seats: We're going back to the essence of theater -- entertainment. "The Kyogen of Errors," directed by and starring 36-year-old Mansai Nomura, is a fitting way to celebrate his five-year appointment as artistic director of the Setagaya Public Theater (SEPT), which was announced two weeks ago.

CULTURE / Stage

Aug 7, 2002

Adult 'Fosse' is setting the stage alight

"Fosse" is here again, back in Japan after its first, hugely successful tour last year mobilized 100,000 fans of the late choreographer-director-actor-dancer Bob Fosse's astonishing oeuvre.

CULTURE / Stage

Aug 7, 2002

Stories with head-on impact

Compared to "Fosse," a quintessential big Broadway production, "CVR" is somewhere close to the other end of the dramatic spectrum. It's certainly a significant event in the contemporary drama scene.

From easily navigable train stations to the helpfulness of its municipal staff, Tokyo has earned high praise for its commitment to accessibility for disabled travelers.

[Rebroadcast] Japan is doing better on accessibility than you may think

Things may look perfect to the outside world, but today's mom is fine with some imperfection at home.

How 'Reiwa moms' are reshaping motherhood in Japan

By Mai Yoshikawa

SUSTAINABLE JAPAN

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